Saturday, December 31, 2011

Leverage

I've been agonizing over the homeschooler programs for 2012 this past week.  January and February fell into place on their own, but March and April are a struggle.  My first idea was the robotic hand made from corrugated cardboard, rubber bands, straws, string, and several rolls of tape.  The age range makes these programs difficult.  Whole families show up and I have to have something or things that will provide interest to K through 12.  Gah!

My next project idea was from a book on levers, because, well, robotic hands are levers, right?  The project is absolutely charming.  A bird flies away as a cat jumps out at it.  It took hours to color the scenery, not to mention work out the mechanics.  The instructions only pertained to assembly of the scenery, which is complicated enough.  The instructions for the mechanical innards amounted to, "You read the book - figure it out yourself."  Now, I only have these kids for an hour, even if I cut all the levers out and hole-punch them for them, coloring and assembly would take too long.

But it so cute! ...

Birdie sits on the ground until ...

... cat leaps out of the bush.

I went back to the book and found the wooden example of the pecking chickens that provided the pattern for the innards and decided that would be simple enough.  So this will be the project:

Pecking chickens

This one was made with enlarged clip art glued to card stock and cut pieces of card stock with those great brass fasteners.  As you can see, there was a bit of trial and error involved.  Some scrap corrugated cardboard will be involved in the actual project, pre-cut.  More fiddly work of coloring, cutting out the chickens, gluing them to card stock should fill up the hour.

Friday, August 26, 2011

Very Colorful!

<a href="http://www.goodreads.com/book/show/4555477-the-color-of-earth" style="float: left; padding-right: 20px"><img alt="The Color of Earth (Color Trilogy, #1)" border="0" src="http://photo.goodreads.com/books/1312054129m/4555477.jpg" /></a><a href="http://www.goodreads.com/book/show/4555477-the-color-of-earth">The Color of Earth</a> by <a href="http://www.goodreads.com/author/show/1224011.Kim_Dong_Hwa">Kim Dong Hwa</a><br/>
My rating: <a href="http://www.goodreads.com/review/show/202384322">3 of 5 stars</a><br /><br />
This is a charming coming-of-age story set in Korea.  I am now really annoyed that the next two books in the trilogy are checked out! Grr!  <br/>Ehwa is a young girl filled with curiosity, which her mother, a widowed tavern keeper, gently teases her about.  This first book covers Ehwa's discovery of the many facets of love and sex - from the point of view of a child and then one verging into womanhood.  She interacts with children her own age and overhears adult conversations, which she doesn't understand.  Her adventures are funny and touching in their realism.  <br/>Korean customs and expressions are explained in footnotes.  I never knew shoes were so expressive!
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 The html code doesn't seem to be working here anymore, so I guess I'll stop duplicating my reviews to this blog.

Tuesday, August 23, 2011

There's No Place Like ...

Okay, I won't go there.  I'm sure it's been done to death.

<a href="http://www.goodreads.com/book/show/11277216-the-iliad" style="float: left; padding-right: 20px"><img alt="The Iliad" border="0" src="http://www.goodreads.com/images/nocover-111x148.jpg" /></a><a href="http://www.goodreads.com/book/show/11277216-the-iliad">The Iliad</a> by <a href="http://www.goodreads.com/author/show/7778.Richmond_Lattimore">Richmond Lattimore</a><br/>
My rating: <a href="http://www.goodreads.com/review/show/198841342">5 of 5 stars</a><br /><br />
No matter how many times I read this, I still find something new. This time I marveled at the similes.  Many of the similes in the battle scenes dealt predictably with lions and wolves, but there were others that evoked daily life (the widow measuring her wool) or inanimate forces of nature (rocks falling like snow).  The most striking thing about them is that they aren't all that brief (like my examples), but can go on for a while, longer than you would expect in a narrative. They'd be full-blown metaphors if they'd not been prefaced with "as" or the like. <br/>I discussed this online with a group and found that very satisfying. <br/>This translation just happened to be one I have, but I see that it's recommended by many (including Dr. Vandiver who does the Homeric Great Courses lectures) for being translated line by line (so you can make comparisons to the Greek) and for preserving the archaic flavor and the poetic "formulas."  Dang, I just thought it was a great story!<br/>Amusing note: on the back of my copy, Robert Fitzgerald is quoted as saying no one need ever produce another verse translation of the Iliad ... but I guess he changed his mind 25 years later. Heh!
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Monday, August 01, 2011

Crouching Reader, Hidden Head-Desk

Crouching Vampire, Hidden Fang (Dark Ones, #7)Crouching Vampire, Hidden Fang by Katie MacAlister

My rating: 2 of 5 stars


I was ensnared into reading this by the amusing title. The plot is about as complicated as the film whose title it parodies, except there are fewer entanglements.  There are some attempts to be amusing, but mostly this is your alleged standard women's wish fulfillment romance with a plump, needy heroine who just happens to be able to summon deadly amounts of light.
These supermythophagilisticexpialidocious stories are starting to get on my nerves.  You have to absorb too much cant to follow the plot.  What the hell's a zorya?  A llargi?  A lich?  I don't even know how to pronounce this stuff, much less keep track of the spelling.  Half the time I suspect they make this stuff up.  Oh, wait, of course they do.  Sorry. 

Pia (uffda, that name!) continues her saga of being torn between her "job" as some kind of light spirit helping some mysterious Brotherhood and her new supernatural linking to the vampire-cum-Fabio-impersonator, Kristoff - the Italian guy with the German name (I've been to Northern Italy - I know it happens).  In a previous book they "hooked up" as the kids say and now he doesn't call.  Is she too fat?  Was it something she said?  She got his soul back (some way - I dunno - it was in the previous book) and now he's supposed to be permanently linked to her.  What's wrong?  She spends the whole book not believing his answers even after they become linked telepathically.  Oh, man!  I mean, oh, WOMAN!  You've got cool supernormal powers!  Either he puts out and adores you or you roast him, right?  Half of this book is spent with him being diminutive-for-a-housecat-whipped into admissions of adulation.  [I'd never do that, right, Bob?  BOB?!]

And then the plot comes to a complete halt for the over-the-top sex.  I have to admit I skipped over those bits because after reading the first ones I decided that they are less arousing than head-desking.  Once you've superlatived someone to the point of explosion, what is left to life?  More plot, please.  Let me amend that: more comprehensible plot, please.
But it was okay.  As mindless, harmless (I hope - this doesn't cause dissatisfaction with life because it sets up unattainable scenarios ... does it?) entertainment, it does the job. 



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Monday, July 25, 2011

Someone Call Mark Teague!


How Do Dinosaurs Use the Library?

How do dinosaurs use the library?
Do they come in boisterous, angry, or wary?
Do they stomp their way to circulation
Demanding or starting an altercation?
Do they visit the children’s room with their child
Then proceed to ignore it and let it run wild?
Do dinosaurs print off some stupid chain letter
Then leave without paying, though they ought to know better?
If a dinosaur has an overdue book
Does she sneak in and hide it in some remote nook
Then a couple days later does she harry the clerks,
Insisting they look harder and calling them jerks?
Do they think any of this works?

No, dinosaurs wouldn’t behave in that way.
They finish a book and return it next day.
They cheerfully own up that they owe a fine
And pay it all up without even a whine.
If they make a copy, they pay for it quickly.
They don’t come in sneezing and coughing and sickly.
Before coming in each dinosaur gave
Their child a brief talk on how to behave.
They write to their congressmen.  They lobby for funds.
They bring the staff cookies (well, maybe just once)!
When they’re good to us, we just want to do more.
Thank you, thank you, Dinosaur!

Sunday, July 17, 2011

Greek Letters Don't Scan Well


Light From the Ancient East Or The New Testament Illustrated by Recently Discovered Texts of the Graeco Roman WorldLight From the Ancient East Or The New Testament Illustrated by Recently Discovered Texts of the Graeco Roman World by Adolph Deissmann
My rating: 2 of 5 stars

Deissmann has done what I consider to be typically German research (involving the painstaking collection of material from disparate sources and comparing minute detail - all of which can probably be done these days in seconds with computers) and made it interesting.  He studied the use of common Greek used at the time of the writing of the Gospels as it appears in papyri, stone inscriptions, or ostraca to evaluate whether the Gospels contain neologisms or if there were some prior usage of phrases and vocabulary.  Being that sort of person myself (German extraction - I think I can make fun of us Squareheads - and the sort who combs the Iliad for each killing, lists it, then sorts the information by verb usage and weapon used), I found that fascinating.  It wore thin when he ended with descriptions of what he felt would be a necessary project to create a lexicon and some flowery stuff about religion.  Note where my interest flagged.
This Gutenberg Project edition (read on the Kindle) was an unfortunate mass of intriguing gobbledygook that I was tempted to correct (being almost able to read the German footnotes), but it has none of the Greek available in an intelligible form.  Not that my Koine Greek is anything worth speaking of (I've only had 7 weeks of Ancient Greek and some unofficial study), so I would not really be able to make the comparisons even if Greek characters had been available.  It would not be useful for the serious student.
I am sorely tempted to find out how you can correct these Gutenberg files.  It would be incredibly tedious, time-consuming, and unrewarding financially - which means it's right up my alley.


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Sunday, July 10, 2011

Requiem for a Humanist


The Clue Bible: The Fully Authorised History of  The Clue Bible: The Fully Authorised History of  "I'm Sorry I Haven't a Clue", from Footlights to Mornington Crescent by Jem Roberts
My rating: 3 of 5 stars

A thorough, if repetitive, study of the history of the antidote to panel games, this read is full of familiar gags.  It takes a similar format to From fringe to flying circus: Celebrating a unique generation of comedy, 1960-1980 and covers much the same people as it starts with the college shows and works its way through ISIRTA and beyond.
If you are looking for sexy photos of Samantha, forget it.  She's apparently not giving out - photos, anyway.
It was all very amusing until I came to the death of Humph at the end and I cried at that and at the description of the funeral, where they played the recording of him playing "We'll Meet Again."  Oh, gosh!
This is all the more touching because Tim, Graeme, and Bill brought me and my husband together.  Okay, maybe it was Alison Bean, but we've already thanked her.


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Wednesday, July 06, 2011

The Wrong Way to Woo

The Power of PersuasionThe Power of Persuasion by Shelagh Watkins

My rating: 3 of 5 stars


I'm not a huge fan of Jane Austen, in fact, I think the zombies improved Pride and Prejudice or, if not the zombies themselves, the kicking of Darcy into the fireplace, which was so richly deserved.  Consequently, Beth Durban's disdain for F. William D'Arcy, the overweening critic at the newspaper, seems to me equally richly deserved.

The style of writing in this novel of modern manners reminds me of some of Alexander McCall Smith's Edinburgh stories, with meandering digressions and flashbacks giving a snapshot of Beth's travels and past.  Her wanderings take her to places I know as well as to exotic locations: Chichester and Singapore, Boston and New Zealand.  Her life is so full, it's not surprising that romance was not her focus.

I did sort of wonder if it was paranoia that kept D'Arcy popping up.  Was it all in her head?  Is there anyone named D'Arcy in the real world?  And, if there is some man saddled with the name D'Arcy, can't he be forgiven for hating Jane Austen?



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Saturday, July 02, 2011

Reminds Me of an Old Boyfriend ...

The Knife Man: Blood, Body Snatching, and the Birth of Modern SurgeryThe Knife Man: Blood, Body Snatching, and the Birth of Modern Surgery by Wendy Moore

My rating: 3 of 5 stars


This was an interesting book, if a bit dry and lacking in illustration.  Hunter's controversy-bedecked life is an interesting one.  He was both admirably correct and terribly wrong on many counts, but relied on his own observations and testing and not on prevailing opinion.  His minute studies of anatomy (thanks to wholesale body-snatching and a ruinous collecting of animals) led him to the conclusion that life on earth evolves.  His study of fossils eroded away any idea that one forty day flood was responsible for the amount of life contained within.  His written work on this idea of the development of life was never published because a fellow scientist suggested he amend "thousands of centuries" to "thousands of years" because it might incite the rabble in those revolutionary times. 

His conservative methods were rejected by other surgeons, he died in debt, his brother-in-law published Hunter's work as his own and then burned the papers, but his legacy lived on through his museum and his students. 

He was not a pleasant man, but he was driven to understand and to share his knowledge, even if what he knew tomorrow was different from what he knew yesterday.  He was not so hidebound that he could not correct even his own conclusions.  A lesson for all of us.

Note: my copy had a different cover. I wish I'd had one with his portrait, so minutely described by the author but conspicuous by its absence in the book.



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Wednesday, June 29, 2011

A Series of Impossible Events

Ape HouseApe House by Sara Gruen

My rating: 2 of 5 stars


This book was so disturbing that I just skimmed it.  I have a problem with the innocent and helpless being put in jeopardy, even in fiction.  I know this is just my problem; I'm dealing with it, okay? 
The premises behind this book are so horrific to me as to be impossible to believe: firstly, that someone who wants to air a reality animal show would pretend to be an animal rights terrorist group, create a front page story of explosives and mayhem to effect the transfer of bonobos from a research facility to this ridiculously public display ... as if no one would notice?  Or that a man would conspire with this group, leading to the disfigurement of his fiancee, let her fish and plants die while she was in hospital, and still want to get back together with her although he's obviously a horndog who would screw anyone.  Why would that person care one whit for her? 
All my complaints aside and despite the speed read that glossed over quite a bit, it was an exciting read.  Somehow, however, I just knew Amanda would go through an apotheosis that turned her into a clean freak.  The mother's finding of the sex toys and zippy-bagging them was ... humorous.  I find it hard to believe that a writer in California would be subjected to the same pressures as an actor, but it is California after all.  If it was meant to be humorously satirical, it just wasn't funny enough.




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Monday, June 27, 2011

Plump and Juicy Mystery

Too Big to Miss (Odelia Grey, #1)Too Big to Miss by Sue Ann Jaffarian

My rating: 3 of 5 stars


Disclaimer: I'm fat, middle-aged, and a former paralegal.
I devoured this in one day.  Most of the ickier bits (the death is a gritty one that's revisited through retrieved screen captures) I skimmed over.  Jaffarian has created some interesting characters, many of them plus-sized which is nice to see.  The mystery was a good one and there is a spot of romance, where Jaffarian falls into the fatal blunder of making the sex "the best [Odelia] ever had."  Writing like that makes me want to bang my head on the desk.  Every now and then I run into an author who has the ovaries to write that the sex was "pretty good ... and worth repeating to see if it got better."  If it's the best, chances are it will only go downhill, you know.  Real life says that sometimes it's really, really good and sometimes it's adequate and sometimes it knocks off socks you weren't even aware you had on. 
Odelia's cherished friend and mentor in the plus-sized world has committed suicide.  She did it on an internet camera, making it fairly obvious what happened ... or did it?  Odelia has her suspicions but the police have called it suicide.  Then Odelia discovers that her friend had many secrets in her life, each more shocking than the next! No! You don't say!  Ahem.  Was one of them the incredibly handsome but poisonous man who came to the funeral?  Or the little man who attacked him, blaming him for the death? 



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Friday, June 24, 2011

Whatta Croc!

Sample clip art for 5 hungry crocodiles

I've got a mess o' crocodile stories coming up for a storytime I'm doing next week as a special program for a Rotary Club Family Lunch, and I thought I'd share a few of my treasures.
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I got the flannelboard poem of "Five Hungry Crocodiles" from Story Place.  I found the black fish in MSPublisher and right-clicked on it, selected Format Picture, then the "Recolor ..." button and I was able to make five fishies in different colors to print off, laminate, and either glue scrap felt or sticks or whatever you choose to the back.

You could use that or "Five Little Monkeys" - where they tease Mr. Crocodile.
Five little monkeys sitting in a tree,
Teasing Mr. Crocodile, "You can't catch me!"
Along came Mr. Crocodile, quiet as could be and SNAP!

Four little monkeys ... etc.

Eileen Christelow has a book version where they don't get eaten, but, I mean, what's the point of that?!

If you want a nicer ending, try Crocodile and Hen, a Bakongo folktale retold by Joan M. Lexau.  There are two versions of this - different illustrators.  One is an easy reader.  Crocodile learns how he and hen are brother and sister, so he can't eat her, however fat and delicious-looking she might be.  I do this one with puppets.

I also do the Monkey and Crocodile story with puppets and foam balls as mangoes. Monkey is fairly fainting with desire for the mangoes he sees ripening on an island in the middle of the river, but he must get past Crocodile.  After convincing Crocodile to take him across in exchange for his monkey heart (the best and most delicious part of a monkey) which he claims to keep in the mango tree, Monkey throws a hard, unripe mango down to Crocodile, who chokes on it.  For older children, I go on to the part where Monkey has now run out of mangoes and faces starvation if he can't get back.  He persuades Crocodile that he's ready to be eaten for being such a baaaaad monkey, but to swallow him whole because he's afraid of being chewed up (or that whole drown-and-tuck-under-a-log-in-the-water-to-soften-up-for-snacking-later for the zoology-obsessed children).  Claiming he's going to run and jump in the crocodile's mouth, he has Crocodile open his mouth so wide he can no longer see, and then jumps on his back, using him as a springboard to the mainland.  Oh, he's a baaaaad monkey!  Crocodile overacts a bit on the choking, but he's such an emo, ya know?

There are a couple of fun crocodile songs, both of which I plan to use.  One is the familiar Crocodile Song with the hand gestures and the other I found on YouTube billed as The Most Annoying Song Ever (which intrigued me immediately).  It's from a German tv show, but English translations are available.

I'm finishing up with making a Schnipp-Schnapp-Schnappi the little crocodile puppet.

Schnipp-Schnapp-Schnappi, Schnappi Schnappi Schnapp!

Wednesday, June 22, 2011

Teensy Rant

I'd like to talk about decimals.  I'll start with the "Our children's room non-fiction collection is so small that I don't see the point of going out three spaces, much less four."  I understand that there is a jobber who does all this work for us so we don't need the MLIS's cataloging in-house and that company apparently can't discriminate between juvenile and adult collections (maybe without charging more), but still ...

Next up: Y'all, decimals are just like money.
Which is worth more: $90 or $97?
Let's put some numbers in front.
Which is worth more:
$56,790 or $56,797?
$567.90 or $567.97?
Okay, take that zero away.   [Occasionally the jobber puts the zeros in, but they're supposed to leave it out.]
Which is more: 567.9 or 567.97?
What if money were broken into even smaller pieces?  Let's look at this. 
Which is worth more: $900 or $912?
How about 567,900 or 567,912?
Which is more: 567.9 or 567.912?
Here are some trickier ones.
What's worth more: $970.40 or $970.04?
How about 970.4, 970.04, and 970.004?
Or 970.1, 970.004, 970.4?
That was easy, wasn't it?  So, tomorrow when I go to shelve some books, I don't want to see 398.209 coming after 398.24 or smack in the middle of the 398.2s.  Ithankyew.

Next week: The Alphabet.

Sunday, June 19, 2011

Hold the Mayo


A Red Herring Without Mustard (Flavia de Luce, #3)A Red Herring Without Mustard by Alan Bradley
My rating: 2 of 5 stars

Audio-version.
Perhaps this was annoying because the child-like voice with the excruciatingly plummy accent of the reader grated on me.  It's a tone of voice very popular in theatre because the nasality is very penetrating and projects really well.  Nine cd's of it is very wearing.
On to the story - Why do I expect things in mysteries to make sense?  What sort of infant baptism holds a fragile child by the ankle and dunks them like Achilles?  Why would a murderer hang a body from a statue when leaving it where it was would hide it longer while hanging it would expose the murderer to a bigger chance of being discovered?  Kill, hang the body, leaving the weapon in place?  Oh yes, yes, people under stress do strange things.  Usually, they just run away though, or wipe their fingerprints.
And if Flavia only wears dresses, she must give the villagers a lovely view when she rides Gladys with her feet on the handlebars.
I was surprised by the amount of blood that came from a non-fatal head wound.  Not that I'm a forensics expert or anything, but ... who would have thought the old woman had so much blood in her?
The first book in this series annoyed me by having poison ivy in an English garden.  I keep asking Brits about that and get no clear answer.  I suppose it's far-fetched enough having an 11 year old genius-chemist.
The family conflict is getting old.  You know, I only had one older sister who did things like tie me to chairs so I wouldn't bug her when her friends came over, but even I think this family is out of control.  And the father needs a good smack up-side his head and a torch put to his stupid stamp collection.
What is my problem?
I really appreciated the addition of Porcelain (not sure of spelling because this was the audio) when she behaved with good sense, cutting off exploration of a dark place or fetching help when the plot called for it.  But how old is she?  She has no parents, so where does she live ... besides "London"?
Next time I will read the book (I will keep reading them) because the turn of phrase is good.


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Saturday, June 18, 2011

Manage the KIDS?

In all the years I've been doing storytimes, I haven't had nearly the amount of trouble with kids that I've had with the adults that come into storytime with them.  This doesn't mean I don't want them in there, just that I wish they would use some common sense.
Problem #1: Cell phones.  They forget to turn their cell phones off. The cell phone rings during storytime and the adult steps over the children on the way out, talking all the way.  Solution: Start each storytime with the Cell Phone Song:
    I went to the storytime with my mom,
    But she left
    Her cell phone on.
    The cell phone rang
    And she took the call.
    Now we're not allowed back in at all.*
And have the kids pretend to take out their cell phones, turn them off, and put them back in their pockets while glaring meaningfully at the adults.


I also have a sign that used to be posted on the wall (but now that we're in a new library, we can't put anything up until it gets all grungy and lived-in again).  The idea was that if the cell phone rang, the tiger would come out and eat the phone ... and anyone holding it.
These aren't the exact signs - but you get the idea.

Problem #2: Adults talking during storytime, daycare providers/teachers doing their work, or texting.  Rather than shame authority figures in front of their charges, I have a sign I hold up that has the "No cell phones" on one side and the "Please model good listening." on the other.  I may need to flash both.  I do mostly pre-school storytimes, so they can't read and the adults get the message.  If they don't get the message, some day, some day, I may just resort to public shaming.

The best storytime experiences I have had were with groups that had adults who participated.

* This song has more verses that involve restaurants and airlines and gets progressively vitriolic.  I hate cell phones.  Even though I own one, I rarely turn it on. Be in the moment, people!

Thursday, June 16, 2011

The Slippery Slope

Not Just a WitchNot Just a Witch by Eva Ibbotson

My rating: 3 of 5 stars


Ibbotson writes in the simple declarative sentences of someone telling a bedtime tale ... and then guides the reader gently by the hand into horror.  Because it's a children's book, all has to turn out for the best.  In the meantime, the most unimaginable cruelties can take place. 
There are two witches who were best friends in witching school but had a falling out and went their separate ways.  Because they are "good" witches, they try to do good.  This seems to consist of finding very bad people and either turning them into interesting animals (that are now "nice" so they must be cared for) or to stone. 
If you are a child, this might make sense, and two out of the three children who get involved are happy to help.  The third child, a very very smart Asian girl, is reluctant, but she loses her reservations when a white supremacist comes to town.  Ah, how easily we respond to fear! 
We can also be gulled by love, which steers the witches blindly into cruelty on a mass scale. 
If the actions in this book seem horrifying, they are told in a fairytale style, softening them and making them seem palatable until the little snowball runs out of control and the avalanche ensues.  This is a cautionary tale.  It's about right and wrong.  And Ibbotson has very clear ideas what constitutes right and wrong.



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Monday, June 13, 2011

Fully Rounded Pig

Death in the Truffle WoodDeath in the Truffle Wood by Pierre Magnan

My rating: 2 of 5 stars


First of all, I'm appalled by the cover.  How do I know this takes place in France?  Perhaps by the man in the horizontally striped boating shirt and the red beret?  Where's his baguette?
Alyre has a prized Trüffelschwein who indicates clues everywhere but is ignored.  Alyre is proud of his beautiful but unfaithful wife but, as he apparently loves the pig more, he doesn't let it bother him much.  He is more upset when someone throws a stone and injures the pig. 
Hippies who come to his town tend to disappear, so Laviolette is sent to look into the matter semi-unofficially.  He prefers to stay at small boarding houses and hang in the background observing.  The local police cooperate with him.  He investigates.  Magnan manages to make it all come off sort of quirky.  Maybe it's the pig.  Maybe it's the very nearly humorous grotesqueness.  It stoops to the "get everyone in the room and make calculated insinuations to see who blinks" wheeze then builds to a climactic if ridiculous chase scene.  And it has a nicely cynical coda.  All in all, it was worth reading.



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Tuesday, June 07, 2011

Bertie Wooster Writes a Thriller


The Gun SellerThe Gun Seller by Hugh Laurie
My rating: 3 of 5 stars

Hugh Laurie manages to mix humor with thriller, but I think I need less thrill in my life.  I am assured by my husband, who used to work for a US defense contractor, that while it is true that footage from the Gulf War is used to advertise military hardware, etc., no one, but no one, would develop a prototype helicopter or anything for the military without first being paid by the military and this hasn't happened since Abraham Lincoln took a consignment of rifles with interchangeable parts.  This takes a load off my mind.

Thomas Lang finds himself forced to become an international terrorist in this plot-with-more-twists-than-a-twisty-turny-thing.  As an Amurrikin, I am horrified to think that 1) the good ole US of A would sponsor terrorism for any ... ruh-roh, 2) that anyone would think that would even be a plausible ... aw, shee-it, and 3) Why doesn't everybody love us?! [Breaks down and sobs.]

Sprinkled herein are many witticisms about modern life as well as metaphors about sex stretched tighter than sausage casings on Lance Armstrong's thighs.  It's so easy to see the goofy side of Hugh Laurie in the lead role, right up until he starts killing people.  And he seems to know an awful lot about guns.  This does seem to be running backwards: a Brit going on lovingly about guns and an Amurrikin with a growing horror of them and descriptions of death, but it'd be a funny old world if we all ran to type.

I don't blame the author for hitting the US too hard.  In fairness, the Brits seem to be complicit in the scenario and the baddies are described as renegade CIA.  There's plenty of blame to go around.  Lang's background even includes his tour of duty as a servant of the oppressor in Northern Ireland, which goes to explain his military acumen as well as a reminder that the Brits don't always get it right either when dealing with terrorists.  Or at least it reminds me, since I seem to be one of the few that remembers IRA terrorism at a time when everyone else in this country seems to think terrorism was invented by a different religious group.

But, as I said, this was a bit too thrilling for me.  I've been typing this review for some few minutes and my heart rate is still up.  Other folks might find this tame, but it was a rollicking, riveting read and should satisfy the tastes of most people who aren't as namby-pamby as I.


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Saturday, June 04, 2011

Dear Parents

Dear Parents of the cute children who come into the Children's Room of the public library,

Get this through your heads: we are not School.  Although committed to "lifelong learning" in our mission statement, this is just a ruse to make Reading For Fun more palatable come funding time.  Your lovely child slogs for nine months each year through the soul-crushing graded readers, the No-Child-Left-Interested required curricula, and, my personal bugaboo, the Dreaded Accelerated Reader tests.  Don't make summer just another opportunity to make reading a deadly chore. 

Do not:
Insist your child read only at or above her reading level during the summer.  No one really likes the Tiger Mom.
Tell  your child something is too old or too babyish for him. 
Shame your child by remarking in front of the entire library that she "didn't finish the books she checked out last time," so she can't have that many this time.  Books are not brussel sprouts. They don't go bad if they aren't read.  The only reason to limit books is if they tend to get lost.
Ask the librarian to back you up on your opinion of the books.  Hell's bells, I'm a 57 year old married woman!  I don't have the same tastes as a nine year old boy.  Okay, maybe I don't necessarily have his tastes.  Maybe he doesn't like the Three Stooges and comic books - ahem, I mean Graphic Novels.  Oooo, look! Captain Underpants!

Chances are, if your kid can relax during the summer and read something she enjoys (for a change), she might decide that reading isn't the big drag it was during the school year.  Who knows, it might make a big difference in her life.  So lay off the kids.  If you insist on riding their backs even in summer, just make sure it's something other than reading, like piano lessons and science camp until it runs out their ears.  There's nothing sadder in this room than seeing a kid be told he can't have a particular book for some reason.  Worse yet, making him come up and shuffle his feet while he tells me that he can't have that book.

Oh, and about complaints I've heard about Junie B. Jones - get over it.  You think your kid doesn't know bad language or behavior when she sees it?  [I'm still trying to figure out what Junie B.'s "bad language" is.]  You haven't taught your child what kind of behavior you expect?  He doesn't know the difference between fiction and reality?   Perhaps you just need to develop your sense of humor.  I understand that if you lack one, you might find the rest of us behaving irrationally.  Just think about it.

Tuesday, May 31, 2011

Maybe Wodehouse Ripped Off Lomax for Spode

The Seven Dials Mystery (Agatha Christie Signature Edition)The Seven Dials Mystery by Agatha Christie

My rating: 3 of 5 stars


I read this book many years ago as a teen when I was in my Christie phase.  I remember being annoyed with it because it appeared to be ripping off P.G. Wodehouse.  There were the typical Wodehousian characters in situations where people were actually being killed!  Re-reading it this month, I decided it was more an homage to Wodehouse.  And even though I'd read it before, I guessed wrong.  That's what's so wonderful about having a poor memory; a few months/years later, and it's almost a whole new book! 

If you read this, look for the characters comparable to Jeeves and Wooster and to Lord Emsworth.  If the subtleties don't pop out at you, Lord Coote's secretary, the Efficient Bateman is clearly the Efficient Baxter.  Of course, Baxter would never have the nickname "Pongo," but there is a Pongo Twistleton in Wodehouse.

Christie says she was intending something lighthearted (aside from murder, of course, which is not that frothy) and while she isn't Wodehouse, she does succeed.  There are several charming and humorous scenes, such as George's proposal to Bundle and Lady Coote's demeanor at the bridge table.  If you obsess too much with the Wodehouse connection, as I did in my early read of the book, you might find the murders and genuine danger incongruous.  Taken by itself, though, it's a cracking read.



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Thursday, May 05, 2011

The Art of Storytime

Marf and friends at the old library.
You think you've told everyone that there are no storytimes in May at the library.  It has been this way all the 17 years you have worked here. People who have run Head Start for all those years should know that too.  So, you're sitting at the Children's Room desk, minding your own bidness and a woman comes in.  You ask if you may help her because a) you're polite and helpful and b) adults aren't supposed to wander freely in the Children's Room.  No, she doesn't need help because she's just waiting for the Head Start group to arrive for their "field trip."  (Parents often accompany the group to help monitor, but arrive separately.)
You think you know for certain that no group was scheduled for today because, well, it's May and you don't do storytimes in May.  There are exceptions, so you check with your supervisor.  She calls the Head Start office and learns that the bus has already left.

This is a job for SuperStoryteller!

Drat!  I put the books I used last week away.  What was I thinking?  I'm not usually this tidy.  No matter!  I'll just wander in the picture books and pull out a couple I like.  I just made some new flannelboard stories (thanks to Flannel Fridays at Mel's Desk); it would be fun to use a couple of them.  And we top it all off with The Animal Boogie!

I chose Two of Everything by Lily Toy Hong because I just love that story annnnnnnnd, Oooo! Can't You Sleep, Little Bear? by Martin Waddell because adults can relate to that.  Also, I have some puppets for it, if I can find them in time.  These books have nothing to do with each other.  So much for always having some sort of theme!  I have less than 20 minutes to pull this together.  If I had more, maybe I could have made a theme package.

I looked at the new flannelboards and chose the "Five Bottles of Juice" and "Blue Car, Blue Car."  This may be a colorful storytime!

Our Storytime space
The new library's storytime room is in what we call The Rotunda.  It's a round space, and the acoustics are fairly lively.  I'm a loud person and I have to pull back in here.  The purple thing* stores big books as well as holding them for you.  Mostly I use it to prop up the books I'm going to read.  The dragon rug is from Highsmith.  We bought it after seeing it at the Charlotte ImaginOn Children's Library.  I wanted to set up a creative play space in our children's room.  For storytimes I prefer to sit on a small chair.  We do have that rocking chair that was originally purchased for our Parenting Corner, but I find I can't do what I want in a big chair that moves.  Fortunately, the child chairs are weight rated for someone my substantial size.

The bus arrives, the children file in, and I start with the "If you're happy and you know it" song.  Then I launch into my first book, Two of Everything.  The first book I read gets the special treatment.  I point out the author and illustrator and we sing the songs:
The author writes the book,
The author writes the book,
Hi-ho, librario
The author writes the book.

The illustrator draws,
The illustrator draws,
Hi-ho, librario
The illustrator draws.

Then I read the book.  When old Mrs. Haktak falls in the pot, I stop and ask them what they think will happen.  Afterwards I ask them what they would put in the pot to make another one of.

Next is a flannelboard.  We sing "5 bottles of juice on the wall" and with each color I ask what kind of juice that might be.

I show them the book Can't You Sleep, Little Bear?  Then I tell them how much I really love the story - but it's more fun ... with puppets!   I pull out the big bear puppet and the baby bear puppet (whose Folkmanis tag I'd removed minutes before) and do the whole thing  in my lap.  I have some props I made for a puppet show of this years ago that I adapted for the flannelboard by sticking velcro on them: three lanterns and a big moon with stars attached with floral wire.  There's also a small book I made, The Koala Code by Dan Braun, for Big Bear to be reading.  The favorite part of any story I do seems to be the snoring.  Well, whatever works!

Next is the Blue Car, Blue Car flannelboard.  They shout the names of vehicles and colors out to me.

And it was all finished off by The Animal Boogie.  We get up and dance to the song.  I have this at the end of all my storytimes now.  I like having something that I do every time so that they have that to look forward to.  They're usually good and jazzed up by the end, so we all sit down and I pull out my Goodbye Couplets, pictures of animals on sticks.
See you later, ... alligator (I give them time to give me the rhyme).
In a while, ... crocodile.
In a blizzard, little ... lizard.
In two shakes, garden ... snake.
Time to scoot, warty ... newt.
Let's meander, ... salamander.
and Hit the road, hoppy ... toad!

And I tell them that this is the last, absolutely the last, full stop, storytime until summer starts.  And unless their director says something to them, they will never know they were unscheduled.  I make a policy of this in my private life as well.

* I don't know where the purple thing came from so I can tell you not to buy that model.  The display panel somehow comes off the track (it slides back up to be flat on top) occasionally and the panels inside that are supposed to keep the big books upright ... don't.  They fall out of their slots at the slightest pressure.  Although it was a good idea, it was poorly executed.  That's a shame because I love purple.

Thursday, April 07, 2011

The Holy Art of Lying

Forged: Writing in the Name of GodForged: Writing in the Name of God by Bart D. Ehrman

My rating: 3 of 5 stars


If you've read the rest of Ehrman's oeuvre, there won't be a great deal more in this book to sink your teeth into.  Right now I suspect Ehrman's a popular New Testament exegesis factory but even a factory turns out good material, even if it all starts to look the same.  He does, however, footnote everything.  He gives you the location of his source material in English so you can check up behind him.  He does not make things up (as colorful as Borg and Crossan's book might have been, they made stuff up, just showing how easy it is to extrapolate, infer, and they produce a factual lie) and it doesn't lose anything for being relentlessly factual because of Ehrman's easy-going, highly readable style.
A better title for this book, though, might have been "Forgeries and Other Bare-Faced Lies."  Ehrman stretches the definition of "forgery" to the breaking point over Acts. Perhaps the title as it stands is the last punch pulled.  Ehrman's gloves are off (as my husband pointed out) as he makes no bones about lies perpetuated in the name of an alleged "Greater Truth."  Normally we call such lies "Fiction," or perhaps "Politics As Usual."  At no time does Ehrman deny the existence of an historical Jesus.  All he's saying is that the people who were inspired by his story fibbed about some things.  And if they fibbed about who wrote what or made up false attributions, what else might they have fibbed about, eh?
The last chapter of the book does make a person think about Lying.  Do you side with Augustine, that a lie is never excusable?  Do you permit small social lying?  Where do you draw the line?  To get a child to take its medicine?  (To get my mother to the hospital to have her tonsils taken out, my grandmother told her she was going to get a pony.  My mother felt utterly betrayed and refused to lie to us kids about anything like that.)  Is a lie permissible to save someone from eternal damnation?  It might depend on how hard you believe in that damnation to make you think it's not just okay, but imperative, to lie in the name of Truth.



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Monday, April 04, 2011

Fresh As the First Time I Read It

Something Fresh      (with linked TOC)Something Fresh by P.G. Wodehouse

My rating: 4 of 5 stars


I dearly love this book and its author, so take that into consideration when you read the review.  I also used it for a dramatic reading in college (just happened to see the notes for that in my paperback copy) and managed to get through what I thought was the funniest part without breaking up.  To my best recollection, the listeners did not fall over in paroxysms of hilarity, but I may have been numbed to their reaction in order to get through it.

Yes, it's as funny as it was the first time. 

The Hon. Freddie Threepwood is engaged to Aline Peters, but his father (Clarence, the third Earl of Emsworth) has just "stolen" her father's prized scarab in a typical fit of forgetfulness. He now wants to retrieve some letters he wrote to Joan Valentine when she was on the stage but his go-between, R. Jones, has decided to milk more out of him than the 500 pounds he didn't need to give Joan because she said she threw the letters away.  Joan is an old friend of Aline and promises to help her retrieve the "stolen" scarab, however, Joan's new friend, Ashe Marson has been hired by Aline's father for the same dark purpose.  George Emerson fell in love with Aline on board ship and is using his friendship with the Hon. Freddie to get close to her again.  Got all that, or do you need a diagram?  They all convene (save R. Jones) at Blandings Castle where they land under the beetling brow and jaundiced eye of Freddie's father's secretary, the Efficient Baxter.

Wodehouse tackles the theme of equality of the sexes with a deft hand one would not expect from an author of that time period (ah, but it's comedy, so he can get away with that).  Sadly, it's not developed fully and it does wobble at the end when Joan succumbs to Ashe's petition for marriage.  We don't get to see her fall in love with him the way we see him fall for her and her sudden craving for dullness in place of adventure doesn't ring true.  We do get to see Aline fall in love with George and we are with her when she does.  She is obstinate in her keeping the engagement to the Hon. Freddie in the face of George's high-handedness, but begins her melt when he realizes that it rightly doesn't work to badger the one you love into loving you.  Her subsequent interview with her fiance gives her the opportunity to view what life would be like married to a complete ass.  The romance of living in an English castle among the peerage loses its appeal. 

One of Wodehouse's earliest successes, Something New (or Something Fresh) introduces the third Earl of Emsworth and the gang at Blandings.  It is also rich in over a dozen Biblical references and about 40 other literary and Classical references (at least according to the annotations I found online).  Unlike the Bertie and Jeeves stories, it is narrated by what is normally called an omniscient narrator, but you can see an inkling of Bertie in the narrator's casual forgetfulness as well as the Biblical saltings (Bertie having won a Bible verse contest of some kind in his youth).  The novel also demonstrates the winning formula Wodehouse finally developed and delightfully abused for another 70 books or so: something needs to be stolen (whether scarab, silver cow creamer, painting, manuscript, or necklace) and returned to its true owner, true love will out, and the Hon. Freddie and his chinless comrades will never get married.  Although Wodehouse admitted to writing the same story over and over, it's the details of characters, the lovely language, and the absurd slow-motion description of slapstick that make each successive novel something fresh.



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Wednesday, March 30, 2011

Only 47?

47 Rules of Highly Effective Bank Robbers47 Rules of Highly Effective Bank Robbers by Troy Cook

My rating: 2 of 5 stars


The title captivated me and once I got beyond the gore, the senseless violence, the incest, the anti-social behavior, the "guy humor" - I relaxed and enjoyed the story.  It was a quick read.  Tara was raised by her father to be a bank robber.  One of those 47 rules is No Crying because she blubbed after accidentally shooting him in the foot.  Tara needs excitement in her life, and so does Max, the son of a local sheriff.  Max doesn't need Tara's help to get in trouble, but he decides having her in the mix adds spice to life.  Unfortunately, her father doesn't approve of her choice in men - ever.  The book is peppered with unforgettable characters (whose names escape me at the moment, but names were never my strong suit) on both sides of the law.  Cook toys with the concept of good and evil, so don't expect any black and white distinctions here.  You have good cops and bad, and good bank robbers and bad, good psychos and really, really bad ones.  You want to root for the robbers, but if you're like me, you feel guilty about it. 



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Sunday, March 20, 2011

Let's Do Science!

Dry Store Room No. 1: The Secret Life of the Natural History MuseumDry Store Room No. 1: The Secret Life of the Natural History Museum by Richard Fortey

My rating: 3 of 5 stars


Richard Fortey peppers his description of the behind-the-scenes views of the Natural History Museum with salacious gossip about the past denizens.  Apparently, scientists are not immune to the amorous arts.  Who'd've thought?! Historically, the museum changed from being run by the elite in scientific fields and wealthy dilettantes to bean counters.  These days its all about how your research can aid commerce or agriculture and there is precious little science for its own sake.  Scientists around the world can't keep up with species yet to be cataloged, some that are only interesting for their own sake and some that may provide medical value.  Fortey is lucky to have done his trilobite research back when research was an end in itself. 

Statue of Darwin overseeing the entrance hall to the Natural History Museum -
from our trip to London (see other photos from my Flickr set).



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Mad? MAD?! Who Are You Calling "Mad"?!

Lady Audley's Secret (Oxford World's Classics)Lady Audley's Secret by Mary Elizabeth Braddon

My rating: 2 of 5 stars


This was quite a potboiler!  Reminded me of that Thomas Hardy book, Desperate Remedies that was published in the years following, especially the part where someone attempts to burn their way out of their problems.  I had to stop halfway through because it was about to turn into something that I find even more disgusting than burning someone to death: calumny.  Lady Audley embarks on a scheme to discredit her persecutor by insinuating that he is mad, that there is madness somewhere in his family, and that his behavior towards her is a sort of mania.  Why she abandons this very effective ruse and instead tries to fry two birds with the same arson is beyond me - except that she has to lose in the end. 
Her antagonist (who is, I suppose, the protagonist in this story, being the "hero" and all, but Lady Audley is at least titular character) is "Bob" Audley, a lazy dullard who hands over all the clues and witnesses he has amassed so that she can (a) steal them, which she does or (b) kill them, which she never quite gets around to, but she has the information just in case she needs it! 
All is sorted out because this is a Victorian novel and Lady Audley must have a punishment that fits the crime and everyone else must live happily ever after, getting married and having adorable children. 
I was able to finish this book by sneaking a peak at the Wikipedia article about it and learning about the happy solution of setting fire to people instead of convincing their friends and relatives that they are mad.  Originally I read it to see if I could fit it in with my Cozy Mysteries discussions, but decided against it and moved on to P. G. Wodehouse instead.  The writing styles are similar in the more light-hearted sections of Audley where the author stops to describe love and that idiot Bob. 
This was a Gutenberg Project book read on the Kindle



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Thursday, March 10, 2011

I'd Sure Love to Have Your Job!

A recent post by a friend about the rigors of his job made me stop and think about mine, working in the Children's Room of a public library.  One slow night I had someone remark to me as she left the Children's Room, "I'd sure love to have your job, just sitting around reading."  This from a woman I had asked two or three times if I could help.  Yes, I was reading a book.  I lead an online book discussion.  I was actually having to take notes on it, which takes some of the fun out of reading, I must tell you.
But what do I actually do besides sitting there watching people search aimlessly for some unnamed book?
I read children's books to children.  I teach them fingerplays, tell them stories using a flannelboard or puppets, sing songs and dance with them, hug them when they leave.  It all sounds idyllic, doesn't it?  We have many people who come in who want to help by "reading stories to the children."  It looks so easy.
But I'm working with pre-school kids, kids with the attention span of a gnat.  This isn't the cozy, one-on-one reading you've done with your own child.  This is a roomful (sometimes) of strangers aged three to four, and though one year doesn't sound like a lot, developmentally it can be a Grand Canyon.  I have to be prepared to drop something that isn't working and move on to something that does.  I have to be prepared for anything - such as vomiting children.  There's a storytime stopper if ever I saw one.
Although I have boasted that you could turn me loose in a strange (to me) library and in five minutes I could put together a half hour storytime, that's only because I've been doing this for sixteen years.  My head can now pinpoint a familiar book or story, pull relevant peripherals from my memory, arrange it all and spew it out with verve and ... whatever.  However, that is all built on the back of using pre-existing flannelboards, fingerplays, etc. and reading books on doing storytimes and creating new flannelboards etc. that I like better or that will fit with some theme.  [Here I plug The flannel board storytelling book by Judy Sierra once again as being the absolute best and the blog Mel's Desk for more great ideas.]
And I do puppet shows.  These are programs I have created from scratch (well, using existing picture book stories I think lend themselves to puppet dialog): laying down audio with voice characterizations (I'm not exactly Mel Blanc, but you get the idea), sound effects, music (much provided by my brother-in-law), a sing-along in the middle; making props, puppets, and stage dressing; not to mention kicking the ankles of my assistants when they are too slow exiting puppets from the scene.  You won't believe the energy that goes into one of these.  But they are all recorded, so they can be put on again and again or remixed with each other or new stories to freshen them.
Lately I've been in charge of programming for homeschoolers, something I really enjoy because it involves school-age kids.  You can do so much more with them.  We've had programs ranging from Ancient Egypt to Geology, which key into my own interests in archaeology and science stuff.  Okay, so maybe that's just too much fun.
This season I've been spared the monthly craft activities that have to be multi-age friendly, but I'm still doing crafts with the homeschooler programs and the branch storytimes.
And this is just the fun stuff.
Then there is the sitting at the desk for hours at a time trying to help people who don't know what they're looking for half the time and you have to tease the information out of them with the Reference Interview.  I know all librarians have anecdotes about someone who comes in and says they're looking for one thing but actually they wanted something completely different, they just didn't know how to ask for it.  Insert your favorite anecdote here.
Part of my job is finding a book for someone to read that they will enjoy.  I have my own bad experiences with that, so I'm careful.  "What was the last book you read that you really liked?"  "A dog book?  Do you want a dog story or true stuff about dogs?"
While out there I have to monitor computer usage.  Children have to show me a library card to get on the computers, but most of them just go sit down and start playing so I have to ask them for their card and make them come to the desk and sign up.  I also have to refuse this activity to kids who don't have a valid card or one with too many fines on them (which, of course, is not their fault because they can't drive to the library, can they?) in some way that doesn't humiliate or traumatize them.  "Oh, honey, have your mommy take this card to the big desk and get it fixed first, okay?" 
Then there is the state-of-the-art printer/copier I have to help people use that makes me want to beat my head against the wall.  If you even lightly brush the screen, you'll make some hideous change and 30 copies will come out wrong.  "You want to make two-sided copies?  On this machine?  Let me take this in the back.  We have a machine back there that will do it automatically."
They come to the Children's Room for lamination because the machine is closest to our door.  "You want how many pages laminated?  You do know that it's a dollar a foot, right?"
We are in a new library and many people just want to wander through and look it over.  Well, adults are not supposed to be wandering around in the Children's Room, so I give them mini-tours and then send them on their way to "see the upstairs!"  This, at least, gets me off my duff.  They have to be politely reminded (or informed) that there are bathrooms, copiers, computers, etc. for adults elsewhere in the library.  As taxpayers they are owed some courtesy, aren't they?   I remind them that if they have purchased anything in the county, the sales tax is helping to pay for the library and I thank them for that.  Now, run along and see the view of North Main Street from the rotunda upstairs.
At the same time, although I'm 57 and chronically depressed, I have to be bright, helpful, and charming.  I have to remember how I would like to be treated if I were in this situation.  I've had a store owner complain about how her customers mess up her organization while I was still standing there.  Did I purchase anything in that store?  Oh, no!   I'll be nice to my patrons who want to stick things back any old way.  I use the old "I have to check that in as 'in-house use' first!" wheeze.  I stop to show kids that the spine needs to be pointing out and while I'm there, show how to mark where the book came from so it can go back in the same place (assuming that we put it away in the right place to begin with) and then give them the option of letting me put it away. 
Believe me, it's exhausting.  I can be totally zoned out when I get home.  Heck, I can be just staring into space while at the desk. 
I am not 100% happy all the time at my job, but it is the best job in the world ... for me anyway.  I hope you taxpayers think it's worthwhile.

Sunday, February 27, 2011

Y'All Drive Me Crazy With Your Adult Over-Caution

Island of the AuntsIsland of the Aunts by Eva Ibbotson

My rating: 3 of 5 stars


I see a lot of objections in the reviews of this book to the "kidnapping" device of the story.  Adults are having a big problem with the concept of kidnapping - but not the fantasy.  I think we often stint on giving credit to children's intelligence.  You only have to look at the cover of this book (with the giant eye of the Kraken and the mermaid) to see this is a book of fantasy.  The first sentence tells you what you already know, that kidnapping children is not a good idea.  Nor, I might add, is luring them away. 
The author has to find a way to get three children from their mundane or painful lives to another place.  One of them has to be a mistake.  No sane child who is old enough to read this would make the assumption that being kidnapped is a fun thing to have happen.  The children in the book know what kidnapping is really about - it's about being tied up and awful things happening.  They have been taught properly.  But this is a book of fantasy where things don't happen as expected in real life. 
I think we need to let go of our adult sensibilities (we read murder mysteries, don't we, and we don't complain about people getting killed or tortured in them for our pleasure or it leading to readers who will go out and murder in real life) and enter this fantasy world that Ibbotson creates where there are nice people and not-nice people who do wicked things for what they think are good reasons and have silly opinions on "aristos" or men or whatever. 
Ibbotson's work is great fun to read.  There's lots of imagination and gentle humor and they are slightly sillier than, say, Diana Wynne Jones's books. Another fantasy writer who would appall adults and raise the hairs on the necks of kids is John Bellairs. 



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Friday, February 18, 2011

It's Just a Diamond

The MoonstoneThe Moonstone by Wilkie Collins

My rating: 4 of 5 stars


It's hard to believe that all of the mystery conventions in this book we might consider to be trite were innovations at that time.  It's also amazing that Collins was (apparently) dealing with an opium addiction while writing this.  [Well, that's what Wikipedia said Monday.  It may have changed since.]
I had read this before, many years ago, after reading The Woman In White which itself was in response to a book I read in the 1970s about how real life experiences informed the fiction of several mystery writers.  TWIW was terrific in the beginning, but my recollection was that I thought it went out of control toward the end and I lost interest in it.  This book was not like that.  I kept surging forward, although I had a memory in the back of my mind what the solution was.  I just had to see how we got there. 
What fun characters!  And in their own words.  There are many narrators, each giving their peculiar spin on events.  How can you not love that dear Miss Clack and her well-meaning but "sadly" unwelcome proselytizing!  And it's so much more fun to hear it from her side. 
The re-reading of this book was a result of having read of the influence of the Kent murder on it (the nightdress! the nightdress! the failed detective! the failed detective coming out of retirement!) in Kate Summerscale's book, The Suspicions of Mr. Whicher. 
A book of its time (which is a coded way of expressing the possible political incorrectness), there is a lot of silly business about the superstitions of the "Hindoo" and yet there are characters that tread a bit far the other way to ennoble the Indians.  The most satisfying way in which Collins tips his hand in how he feels about them is by allowing them to rescue their Moon God's stolen diamond ... after 300 years of failing at it. 
Collins also shows his sympathies to the serving class by giving us well-rounded characterizations there ... yet making the steward/butler a figure of fun with his obsession with Robinson Crusoe and his way of soothing the distaff branch of the below stairs bunch by setting them in his lap.  Oh dear. 
As I said, great characters, interesting POVs, a jolly good mystery, and a trailblazer in the genre!



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Friday, February 11, 2011

Molehills Out of Mountains

Earth: An Intimate HistoryEarth: An Intimate History by Richard Fortey

My rating: 3 of 5 stars


As much as I enjoyed his book on Trilobites and as interested as I am in geology, this meaty book was almost too much to handle (and I read John McPhee's Annals of the Former World. and ate it up - but, of course, that got a Pulitzer).  The literary quotations included, whilst showcasing Fortey's well-rounded education, were merely annoying and the one by D. H. Lawrence about a tortoise seemed pointless.  It took me months to read this because I had to mull over the material bit by bit to make sure I understood.  [Also, by the end I was hearing in my head Pwof. Bwyan M. Fagan weading it.] I was also disappointed in the bit about glass being a solid and yet a very, very slow-moving liquid, which I believe has been debunked - but what do I know?  [I only have a BA in Spanish. Carrumba.]
However, Fortey gives us just a taste of orogeny around the world and the make-up of the earth and only makes you want to go see it for yourself.  Of course, he also handily describes parts we will never see because they are too deep and, necessarily, hot.  I know from McPhee that there are scientists who do not subscribe to the tectonics gavotte of the plates, but none of that was brought up here.  Fortey does not eliminate controversy from the narrative.  I suspect that his trilobite hunting all over the world and other travels just made him more secure in that particular theory. 




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Tuesday, February 01, 2011

Keine Zahnfee?

Throw Your Tooth on the Roof: Tooth Traditions from Around the WorldThrow Your Tooth on the Roof: Tooth Traditions from Around the World by Selby B. Beeler

My rating: 4 of 5 stars


A charming book of disgusting milk tooth traditions from around the world.  Reminds me of Pratchett's book Hogfather in that many of these teeth are being taken away or protected.  There must be some powerful universal hoodoo associated with this. 

Mice seem to be in charge of collection in many places, which makes sense as they are rodents and have the continuously growing teeth.  I'm not sure what throwing the tooth on the roof represents, but it seems to be popular.  And, I don't know Danish, but I suspect that the tooth fairy "named Tand Feen" is actually named "Tooth Fairy." [Just checked that with Google Translate and I'm right.]  Germany needs to get on the stick.  Apparently, they don't do anything special with baby teeth which just seals their fate for me as the Most Boring People in the World.  [Before anyone complains, I should point out that both sides of my family are German and no noticeable personality developed until they emigrated.]  If anyone knows of any interesting tooth traditions from Germany, please let me know.


For additional reading, I suggest I lost my tooth in Africa by Penda Diakité which is a really cute story with great illustrations.



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Monday, January 31, 2011

Anatomy of a Shadow Puppet Stage

Shadow puppet theatre in situ.

Puppeteer side with the cheap shoplight (on a microphone stand).

Frosty the Snowman knew the sun was hot that day ...

Puppet show "in progress" - ha ha.
Many years ago we created a puppet stage from two step ladders, two 1 by 6s, velcro strips, and some cloth.  We were also able to do shadow puppet plays by substituting a white sheet in front for the black backdrop.  I got ambitious one year and wanted to do some cute shadow puppet plays during storytime, so I made a stage from a poster carton and just some white roll paper.  Wax paper would work for a smaller stage.  Cardboard has the advantage of being lightweight and easy to toss into the back seat of a Toyota Corolla.

We've created several shadow puppet shows: one based on Remy Charlip's Mother, Mother, I Feel Sick, Robert Barry's Mr. Willoughby's Christmas Tree, Dr. Seuss's story "The Sneetches," and the songs "Frosty the Snowman" and "The Witch Is On Her Broomstick."  They are all just short of a nightmare to put on, but the kids just love them. 

The shadow puppets are often cut (and here the exacto-knife comes in handy) from black posterboard, but I've also used black foam sheets.  If you use color sheets, the color will still show a bit.  Storage is a problem because the fiddly bits start getting floppy so I've gone back and reinforced them with bits of wood (i.e. toothpicks, craft sticks, etc.) and then colored the wood with black magic marker if I need to use both sides. 

Shadow puppets show up clearest if they are pressed flat against the screen of the theatre and to make this easier, I started putting their sticks in at an angle. For the sticks I use bamboo skewers that I've stuck (with hot glue) into packing peanuts hot glued to the back of the puppet.  This works well as long as you aren't planning to use both sides of the puppet.  The long bamboo skewers help me keep my fingers out of the shadows.  Packing peanuts don't hold up forever, but they have the virtue of being plentiful and free, if you order a lot of stuff.  

Diagram of dinosaur shadow puppet with packing peanut and skewer at an angle.
We store flannelboard stories in manila jackets and I've tried doing that with shadow puppets, but moved on to a flap from a corrugated cardboard box.  The skewers fit nicely in the corrugations and the cardboard coordinates with the low-tech theatre.

There's something magical about shadow puppets.  You can use them to freshen up some flannelboard stories and rhymes: Five little whatevers, The three billy goats gruff, etc.  If you use them, it's probably best to use them at the end because it means turning off the lights - and then when the magic's over and the lights come back on, it's time to say goodbye, say goodbye, say goodbye.

Thursday, January 27, 2011

Help! I Have 90 Firsts Graders Coming!

Partial Cast of The Mitten

Set pieces for Granny Glittens and Her Amazing Mittens

Okay, you're told that 90 first graders are coming and expecting some boffo program as well as a tour of the new library.  They're dividing them in half and taking one half on a tour while you do your fabulous thing.  I've chosen two puppet plays I know I can do by myself (plus a shadow puppet play to "Frosty the Snowman" at the end if there's time).  The first is The Mitten, a cute story where, by the end, the puppets explode out into the audience.  That's almost as much of a crowd-pleaser as squirting them with water at the slightest excuse.  The second is a favorite story from my childhood.  It came from The Tall Book of Christmas Stories and captivated me totally by turning itchy woolen mittens into candy.  I only have to put my hair up, my bifocals back on, and throw on a shawl to be Granny Glittens herself.

The set pieces for Granny Glittens are made from white posterboard (and one piece of corrugated cardboard for the packing box for her new stove) and backed with pieces of paper towel roll to keep them standing up straight.  The balls of yarn are on bamboo skewers.  I pop a white ball of yarn in the pot on the stove ... and out comes one by one: a red one, a green one, a brown one, a yellow one, and a black one.  I've heard gasps of amazement from 4 year olds.  First graders might be a bit more jaded.

Don't they wonder about the size of the stove relative to the human being? you ask.  What, you haven't heard of suspension of disbelief? 

Friday, January 14, 2011

Polar Bear Flannelboard


The Cold, Cold Night

One cold, cold night in the snowy, icy north a man heard a crunching outside his little house.  He opened his door to look out into the night but suddenly it was quiet.  The cold wind blew, and the stars above twinkled, and the moon shone bright when over the snowdrift appeared two big, big ears.
“Oh, my,” he said.
“How strange to see such big, big ears in the cold, cold night!”

And the cold wind blew, and the stars above twinkled, and the moon shone bright
when over the snowdrift appeared two dark, dark eyes under the big, big ears.
“Oh, my,” he said.
“How strange to see such dark, dark eyes under the big, big ears in the cold, cold night.”
But still he stood in the doorway.

And the cold wind blew, and the stars above twinkled, and the moon shone bright
when over the snowdrift appeared a black, black nose under the dark, dark eyes under the big, big ears.
“Oh, my,” he said.
“How strange to see such a black, black nose under the dark, dark eyes under the big, big ears in the cold, cold night.”
But still he stood in the doorway.

And then the man said, “Where did you get such big, big ears?”
“Much listening, much listening.”
“And where did you get such big, big eyes?”
“Much watching, much watching.”
“And where did you get such a black, black nose?”
“Much sniffing, much sniffing.”
“And what brings you to my door?”
D
r
a
m
a
t
i
c
P
a
u
s

“Snowshoes!”
Circles made with various die-cut patterns: planets, insides of 4" letter O, etc.
Black flannel is plain, but white flannel is fuzzy flannel that I keep hidden from the rest of the library. 

We've had snow down here all week, which is unusual for here and while I usually do something snow-related for pre-schoolers (many of them have not seen snow or ice - I had to explain icicles in December), I'm tired of doing the same stuff.  I saw a print-out online of some circles that could be cut out to make a polar bear and I decided it would make a cute flannelboard.  After looking at photos of real polar bears, though, I made the eyes smaller than the nose.  I'd been casting around for a rhyme to go with this when I remembered the flannelboard of "The Pumpkin Man" - so I used that as a basis forthe flannelboard story above.
Next I'll probably make a big book out of it!