Showing posts with label children's literature. Show all posts
Showing posts with label children's literature. Show all posts

Thursday, January 02, 2014

Book Review




Because Goodreads doesn't list it:

Cheepy Chick's Holiday by ... someone at Brimax Books. Amazon lists the author as Lucy Kincaid but our catalog says June Woodman.

There's something about this that makes me read it as "Creepy" Chick's Holiday. And every time I see "Cheepy" it comes across as "Creepy." This is a large-print children's book aimed at early readers, ages 4 to 7 years. While the print is very large, it is also very close together, causing even someone with my middle-aged eyes to hold it at a distance.
Creepy - sorry, Cheepy Chick is a small business owner who is worn to a frazzle by annoying customers who come to her shop and can't make up their tiny minds. C...Cr...Cheepy Chick's shop is not ergonomically organized. She needs to climb a ladder to get to the sweets she sells in her shop. The sweets have the inviting names of "brown" and "pink" and "white." One is unable to tell even from the illustrations what these might be. They appear to be cookies/biscuits of some sort. Given the state of the bakery arts of today, they probably don't have any real flavor other than "brown" or "pink" or "white."
At the end of the day, Ch-Cr ... Cheepy Chick is so exhausted that she is willing to turn the running of the shop over to her friends, Polly Pig, Bob Hedgehog, and the appropriately but not that cleverly named "Little" Hamster so she can take some much-needed time off.
Away she goes on a skiing vacation where, after a few spills, she is taught to ski properly by Pat Penguin, the ski instructor. She send her friends a postcard. After she returns, business has fallen off so much that she has to remove the cobwebs from the shelves, which she seems happy to do.
The moral of this story is, to the best of my reckoning: Take a vacation.
Things I don't understand:

  • Why ... the chick person keeps all her popular items on upper shelves when she clearly has nothing on the lower ones. 
  • Why her sweets aren't more descriptive. 
  • How the shop got so dirty/cobweb-riddled while she was away although her friends are clearly cleaning the place as she's leaving. How long was she gone?
  • Why the author dropped the ball in developing a relationship between our heroine and, say, the ski instructor or the dog on the train. 
  • How far away she has to travel to go from apple time and green grass where she lives (September?) to full-blown snow. Is this California where you can sell your sweets in the morning and then nip up to the mountains to go skiing in the afternoon?
  • Does she spend the night somewhere? Did she go clubbing? Baby seal clubbing?
  • As attuned to sweets as young children might be, wouldn't they need something more to go on than just color description? 
All in all, I was unimpressed with the plot and the characterization in this oeuvre. I am considering discarding it instead of replacing the spine label, which has come off.

Friday, March 16, 2012

Anatomy of a One-man Puppet Show

[by request]



The Show:

Act I: Dog's Sleepless Night (based on Little Bunny's Sleepless Night by Carol Roth) wherein Dog (a recurring character in the shows) visits one friend after another in an effort to get to sleep.  Squirrel eats noisy nuts in bed; Skunk accidentally "sprays" (this calls for some horrid "air freshener" aerosol for artistic verisimilitude); etc.

Act II: The Eye of the Needle (based on the Yupik tale retold by Teri Sloat) wherein Amik's grandmother sends him out to hunt and he's so hungry that he eats all the catch (including a walrus and a whale) and drinks up half the ocean. When he returns to the hut, he's too big to get in, but his grandmother brings him in "through the eye of [her] ivory needle."  Consequently, everything he has drunk or eaten is squished out and floods the hut.  This requires a squirt bottle that can shoot a thin stream of water a good ten feet [a dish detergent bottle is perfect for this] for optimal squealing of delighted children.  I don't think I've ever done a puppet show without this.  I highly recommend it.  The fish gush out as well and for that I used the fish die-cut to make many many many colorful tissue paper fish.  I grabbed a handful and as I let go, I beat the air with a handfan to spread them out.  They didn't go as far as I'd hoped, but the effect was good enough.   And then the whale belches up more water and more fish, so I got to repeat it for more squealing.
This episode in the show was a logistics nightmare because of Amik's parka.  The velcro fastener decided to attach itself to everything on Amik except the other side of the parka.  It drove me mad.

Sing-Along: Molly Malone (continuing on the fish theme).  I had the lyrics printed off onto a poster and posted to the side of the theatre.  In the pause before it, while children were scrabbling to get fistfuls of tissue fish, I told them to hold onto those fish for the last story.
No one sang. Oh well.

Act III: Have You Got My Purr? (based on the book by Judy West and if I'd had my act together, I would have pulled these books to show to the audience and talk about them before I started) wherein Kitten goes to each animal at the farm in turn to ask them if they have her purr.  Even when two people are doing this, there was not a whole lot of time to change puppets.  This was the fault of the recording (all the shows are pre-recorded and mixed with sound effects and introductory music on a professional grade Akai mixing board that just happens to be lying around our house - ahem) and there was nothing I could do about that short of stopping the tape, but I'd still need a third arm for that.  At the last minute I decided that Kitten would just not have a hand up her bottom so that I'd have a free hand to put the next puppet on.  Mind you, this is all visible to the audience, but I wore black and explained before I started that the black meant they weren't supposed to see me; they should just pretend I'm not there.

Act IV: Hot Hippo (based on the book by Mwenye Hadithi) wherein Hippo goes to ask the god Ngai to let him live in the water where it will be cooler.  I stopped the tape and told them that when Ngai mentioned his "little fishes" and the bell tinkled, they should wave their tissue fishes or toss them in the air.  Ngai grants permission on condition that Hippo come out at night and Hippo offers to show his mouth is empty and stir up the water with his tail to show he hasn't hidden any bones.  He happily runs back to the water (blue tissue paper with cuts to give it shape stretched across the stage floor which was also used for the shore where Amik caught fish and that vanished bit by bit as he drank up the ocean) and jumps in with a mighty splash that requires one last squirt of water.  Hippo dances happily and I pointed at his bottom when the tape said "The End!" to much laughter from the adults.

Recessional (to get the audience up and moving out): Choo-Choo Boogaloo (love that Music for Little People stuff!)

Special effects: Anything that will reach out from the theatre into the audience will delight them.  The squirt bottle is a must.  The air-freshener for skunk spray is a crowd pleaser, although it takes a few seconds before the scent actually reaches them.  Some type of confetti fanned out (snow, flowers, bugs, the fish) is popular, but messy.  The fish - well, the children were delighted to pick them up and even throw them away for me!  Will use that more.

I know not everyone has a huge mixing board or a computer program that will mix layers of sound and then burn it to a cd.  However, I achieved similar effects years ago by using two tape recorders.  I'd put the sound effects (or dialog that would be going on at the same time as other dialog, as in an argument for example) on a tape and then play it back while I was recording the main dialog.  It's not as clear and timing is fiddly, but it works.  Always keep in mind while recording the amount of time it takes to change scenes (cover with music) or to change puppets (imagine going through the motions in your head ... then add a bit).

Voices: Dog was the first puppet I bought.  He got on my hand and wouldn't get off.  I came up with a voice for him and I can only use that voice for Dog (it's based on a co-worker from Boston).  Some puppets are like that.  Cat, purchased at the same time as Dog, just has a cat nasal drawl.  Skunk has a French accent while Hedgehog was English.  Hippo and Bear sound a bit too much alike, but being in different "plays" no one notices.  Pig sounds like Ronald Colman, sort of, and Cow like Marilyn Monroe (which I key into before recording by singing "Happy Birthday, Mr. President" and Pig has "'Tis a faa, faa bettah thing I do than I have evah done").  Fox wasn't in this show, but when he appears, he sounds like Bob Dylan.  Come to think of it, most of them sound like Bob Dylan.  I'm sure you know people with distinctive speech/accents you could harvest for characterization.

Theatres:

We have this beautiful dedicated theatre now.



The Purple Stage


We started with a stage made from two stepladders and two one-by-six planks.  It was "portable" if you had a full-size station wagon.  My Corolla station wagon was too short.  We staple-gunned velcro around the edges of the planks and sewed the corresponding velcro to the purple cloth (which was on sale apparently)  The cloth on the upper plank only goes down as far as the next plank and should be made of thinner material so you can see through it.  As long as there is more light on the stage side, you won't be seen.

You can also purchase lightweight portable theatres.  I was looking for the one we had to share a link, but I can't find it.  It is made of the fat PVC piping used in plumbing and fits in the artificial Christmas tree storage bag I found on sale.  To me, the important part is the stage level.  I don't want to have to hold my arms over my head.  I prefer a stage at elbow level.  What I liked about the purple stage that I couldn't say about the portable one was that the planks were flat and sturdy and held props and tired arms.  You don't get that with PVC.  I had to adapt props for a rounded stage base by attaching strips of paper that drape over the rounded pipe and are weighted on the other side by something equivalent.  Oatmeal boxes were great for this.  They not only provided ballast, but you could put additional props in them that made it look like they were in the actual prop.

Never go on the road without a long extension cord.  Never do puppet shows outside.  Forget it.  You would need a professional PA system instead of a nice, cheap boombox and the outdoors will still swallow the sound.  And I can tell you from experience that outdoors is just plain hazardous.  I've had pinecones drop on my head.  And don't even mention bugs or heat.

Happy puppetry!

Sunday, February 27, 2011

Y'All Drive Me Crazy With Your Adult Over-Caution

Island of the AuntsIsland of the Aunts by Eva Ibbotson

My rating: 3 of 5 stars


I see a lot of objections in the reviews of this book to the "kidnapping" device of the story.  Adults are having a big problem with the concept of kidnapping - but not the fantasy.  I think we often stint on giving credit to children's intelligence.  You only have to look at the cover of this book (with the giant eye of the Kraken and the mermaid) to see this is a book of fantasy.  The first sentence tells you what you already know, that kidnapping children is not a good idea.  Nor, I might add, is luring them away. 
The author has to find a way to get three children from their mundane or painful lives to another place.  One of them has to be a mistake.  No sane child who is old enough to read this would make the assumption that being kidnapped is a fun thing to have happen.  The children in the book know what kidnapping is really about - it's about being tied up and awful things happening.  They have been taught properly.  But this is a book of fantasy where things don't happen as expected in real life. 
I think we need to let go of our adult sensibilities (we read murder mysteries, don't we, and we don't complain about people getting killed or tortured in them for our pleasure or it leading to readers who will go out and murder in real life) and enter this fantasy world that Ibbotson creates where there are nice people and not-nice people who do wicked things for what they think are good reasons and have silly opinions on "aristos" or men or whatever. 
Ibbotson's work is great fun to read.  There's lots of imagination and gentle humor and they are slightly sillier than, say, Diana Wynne Jones's books. Another fantasy writer who would appall adults and raise the hairs on the necks of kids is John Bellairs. 



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Tuesday, February 01, 2011

Keine Zahnfee?

Throw Your Tooth on the Roof: Tooth Traditions from Around the WorldThrow Your Tooth on the Roof: Tooth Traditions from Around the World by Selby B. Beeler

My rating: 4 of 5 stars


A charming book of disgusting milk tooth traditions from around the world.  Reminds me of Pratchett's book Hogfather in that many of these teeth are being taken away or protected.  There must be some powerful universal hoodoo associated with this. 

Mice seem to be in charge of collection in many places, which makes sense as they are rodents and have the continuously growing teeth.  I'm not sure what throwing the tooth on the roof represents, but it seems to be popular.  And, I don't know Danish, but I suspect that the tooth fairy "named Tand Feen" is actually named "Tooth Fairy." [Just checked that with Google Translate and I'm right.]  Germany needs to get on the stick.  Apparently, they don't do anything special with baby teeth which just seals their fate for me as the Most Boring People in the World.  [Before anyone complains, I should point out that both sides of my family are German and no noticeable personality developed until they emigrated.]  If anyone knows of any interesting tooth traditions from Germany, please let me know.


For additional reading, I suggest I lost my tooth in Africa by Penda Diakité which is a really cute story with great illustrations.



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Thursday, December 30, 2010

Titel ... Gut

The Totally Made-up Civil War Diary of Amanda MacLeishThe Totally Made-up Civil War Diary of Amanda MacLeish by Claudia Mills

My rating: 4 of 5 stars


Keeping in mind that this is a children's book, this is a fairly sophisticated story.  Amanda's parents are splitting up (in a way that makes the mother at first look blameworthy) and her distress is paralleled by the class project: keeping a Civil War diary for Polly, a fictional girl her age who has one brother who supports the Union cause and another who supports Secession.  This is a careful distinction.  The younger brother does not necessarily support slavery, but does support the right of slave-owning states to determine their own regulations in this matter.  The older brother, not Polly's favorite which adds to the complexity, is against slavery.  And they all live on one of those border states that couldn't make up its mind either: Maryland.


The story lightly touches on attitudes about race and Amanda shows the typical attitude of someone who wants to be right-thinking, but still struggles a bit with her preconceptions while deploring prejudice.  She also parallels the conflict with her own behavior when her pain over her parents' separation causes her to avoid her friend, yet want her friend to pursue her, and then blame her when she doesn't. 
The message: I'm rubber and you're glue, if we go back far enough we'll find the problem was you.  In her fictional diary, the brothers reconcile, as she does with her friend.  Unless her parents can agree on an open relationship, that marriage is doomed and it looks like serial monogamy for Dad.  And I don't believe for five seconds that her dad didn't start that relationship with Caroline until after the split and I bet Amanda's sister Steffi doesn't either, cynical little slut.

This book covers so much in so few pages.  Amanda is confronted with the gamut of button-pushing situations: parental conflict, separation, adultery, pubescent sibling with attitude, shame, math homework, leaden political correctness, bad weather, racism, and a lost cat!  I cried and cried.  All of this is deftly written so that it doesn't seem like a ham-handed pulling out of all the stops, but just like normal life.  Good job, Claudia Mills.



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Tuesday, November 02, 2010

It's Impossible

Impossible Major RogersImpossible Major Rogers by Patricia Lee Gauch

My rating: 2 of 5 stars


Gauch paints a warts and all portrait of a figure from the French and Indian wars. Neither all good or all bad, Rogers is a fighter and determined, and for that much he can be admired.  The book is punctuated with the refrain of his impossibility.  By stressing this, Gauch also does not try to paint him too much as a hero.  She shows him as a man conflicted by his hatred and admiration of his chosen enemy and as someone at a loss when the fighting is over.  At least in war he could fight his way out of trouble. 
Although later forced to fight on the British side because the colonists viewed him as a possible spy, Rogers' style of combat (developed from his experience of fighting the Abenaki as well as trading with them and studying them) was what the colonists chose.  Rogers' determination could have been interpreted as unscrupulousness and he ended badly.  He was jailed, apparently for his enormous debts, for three years and eventually had nothing left but his braggadocio. 
 



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Friday, October 29, 2010

Dance, Dance, Dance!

The Animal Boogie (Sing Along With Fred Penner)The Animal Boogie by Debbie Harter

My rating: 4 of 5 stars


This was a gift from a friend. Just got around to listening to the cd that came with it and reading the text.  Oh so cute!  This will be a lot of fun at storytime.
Lots of movement and movement vocabulary.
Lots of animals.
This book can be used many ways: just read and sing along with movement, set the book aside and do it again hauling out the appropriate puppets, let kids hold up appropriate puppets (perhaps on sticks - I made a quick sheet of all the animals in a black and white format so they could be colored and either backed with something to use on the home/travel flannelboards (made with 9x12 sheet of flannel on the inside of a pocket folder) that we've given out fairly regularly at storytimes or had a loop of paper taped to the back to make a fingerpuppet, make flannelboard animals to point to, OMG!, and just dance, dance, dance!
Can hardly wait to use it!
The cd has 2 versions: one with Fred Penner singing it and then next one more like a karaoke format that you do your own singing, but will animal noises backing you up.  Cuuuute.



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Friday, October 22, 2010

SCLA Part 1 - Best Books Forward

The first session I attended was about the SC Center for Children's Books and Literacy at USC where I always knew we could go and preview children's books for purchase ... and then not have to put them away ourselves (Shocking!  However would we stop ourselves?!).  It does make you want to visit, but it seems so far away.

Ellen Hinrichs was not able to make it, but Nonie Price chatted about the Center and enlightened us about Cocky's Learning Express.  The USC mascot travels to elementary schools all over the state (even in the upstate, where he may or may not make an appearance with that Tiger) to encourage children to read.  This is a program for children from K4 to 3rd grade and each child is able to take home a book.  Must speak to Debbie about this.  At the moment the USC students have been doing this for free, but may soon have to ask for mileage and a Kiwanis sponsorship would not go amiss there.  They can certainly do a few elementary schools in one trip.  Apparently, it makes all the difference if Cocky hands you a book - but one would hope it would not cause any problems in households of the orange persuasion.

Friday, August 27, 2010

A Lesson In Understatement

They Were Strong and GoodThey Were Strong and Good by Robert Lawson

My rating: 2 of 5 stars


Lawson's illustrations sometimes undermine the reverential tone of this book.  When he says that his mother's mother did not like sailing on the sea, he provides a drawing of her very expressive backside as she hangs forlornly over the side of the ship. 

Despite the stereotypical representations of mammies and indians, this book would make an excellent model for kids to do their own family biographies in the same simple declarative style.  I know I was bored by my parents' old time-y stories.  Surely, today's youth can recall some of the stories they themselves have endured.



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Monday, August 16, 2010

When Is a Curtain Not a Curtain?

  The Lion and the StoatThe Lion and the Stoat by Paul O. Zelinsky

My rating: 3 of 5 stars



 Now that the poetry thing is over, I can start back putting my reviews here. I'm sure you all missed them.
Zelinsky has put together (having adapted some of it from Pliny the Elder's Natural History) a fine story about competition, ego, and art.  The lion and stoat are artists who compete with each other on three separate occasions.  In the end they decide to not compete with each other any more ... at least not in art.  The illustrations are charming as well - especially the "nude" tigers.

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Saturday, April 17, 2010

Early Literacy Re-Training!

When I signed up for this, I was sure it included some Mother Goose On the Loose training, which I hadn't had, but was glad to have some of the Every Child Ready To Read re-training in any case. MGOTL was not in evidence, but a worthwhile day was spent on ECRTR. This is at least the third time that I have been trained in this and I think it's great stuff. It's nice to have it refreshed and because you have new people with you, you get more ideas on how to use it than just a presenter can provide.

The class was presented by Susan Bard who was very energetic. I'd have been more energetic myself if some of the songs and movement things we did weren't making me dizzy. I had dinged my forehead on the bathroom stall door (something another librarian also did shortly after I was settled down with my feet up and a bag of ice on my head) which served mostly to keep me awake all day.

ECRTR is designed to make it easy and palatable to share early literacy tips with parents and caregivers during storytimes. Bite-size, manageable pieces of information are coupled with modeling during the storytime so that parents are "indoctrinated" in best practices practically without realizing it. The resources are also available online (also in Spanish) for those who didn't have a throbbing forehead to keep them awake - but, honestly, these classes are so much fun you don't want to miss any of it.

Recommendations of great storytime picture books and audio abound. Those I particularly noted were:

Cha Cha Chimps by Judy Durango
Shark in the park by Nick Sharratt
Dinosaur Roar by Paul Strickland
Pío Peep by Alma Flor Ada and F. Isabel Campoy
Flower Garden by Eve Bunting
Bark George by Jules Feiffer

Audio
Diaper Gym
Whaddaya Think Of That by Laurie Berkner
Toddlers Sing Playtime (actually, recordings of toddlers singing creeps me out)

Babies have 100 billion little brain cells to work with when they are born. They develop connections (synapses) primarily through sensory experiences. They will make more of these connections with higher seratonin levels, which come about from pleasurable experiences. Connections are inhibited by cortisol, which is released under stress, such as neglect and abuse, but they can also be stressed by the unreasonable expectations of the parent, childcare provider, or even the crabby librarian with the big lump on her head. Little kids have short attention spans and are apt to try to get up and walk around. It doesn't mean they aren't still listening. We need to let parents/caregivers know at the start that a little wiggle is okay. If a child gets bored, he can be removed, but he can also come back if he's settled down.

Kids get all these sensory experiences and then the ones that aren't experienced over and over are eventually pruned, which helps organize the brain. Those paths revisited can be early literacy skills that the child will need to learn to read and read with ease later. Before you can read, you need to know the words; the more words the child hears, the more will be recognized when seen printed, so talking to the child is important. Before you can read, you need to recognize shapes, because letters come in shapes. Shape recognition is good for babies. Letter recognition can begin with toddlers. And all this needs to be fun, not drills with flashcards. You don't need to be able to read to provide these early literacy skills to your child. You don't need to speak English - because all that knowledge is commutative from one language to another: hearing separate sounds/phonemes, connecting sounds with the shapes of letters, how a book works, etc.

The parents are the first and best teachers. They spend the most time with the children and the children model their behavior based on the adults they see the most - for good or ill.

None of this synapse connecting can wait for school. These are skills a kid needs to know before she gets to school:

Print Motivation - enjoying books and reading
Phonological Awareness - hearing the distinct sounds in words and being able to play with them
Vocabulary - hearing the words so when they are seen in print, there is recognition
Narrative Skills - knowing stories have a beginning, middle, and end; following sequences; describing an activity
Print Awareness - recognizing print in the environment, being familiar with books
Letter Knowledge - recognizing one letter as distinct from another and knowing it can have more than one form (upper/lower cases, for instance).

Alphabet knowledge at entry into Kindergarten is a strong predictor of reading ability in 10th grade. Children from lower income groups have 25 hours of contact with picture book reading compared to over 1,200 hours for middle income children. 60% of kids are going to find learning to read difficult. As librarians we are in a position to make that process more fun by providing great materials and modeling best practices for the benefit of the caregivers. Encourage the parents to allow the children to pick out their own books and be sure to let them choose some non-fiction books as well as story picture books.

Now, that's all the general stuff. Let's get down to specifics that I needed reminding on!

Remember, only one early literacy skill per storytime! And just mention it briefly, paraphrased from the "What Can I Say" list in your own words, about three times during the storytime. That's all you have to do. It helps to write it out ahead and practice it.

Talking uses four parts of the brain and in a small child this can take some time because the neural pathways are still being built. Be sure to give 5 seconds response time to a young child. If there are older siblings, they might want to butt in, but let the young one finally get the answer out.

Use dialogic questions - you know, the ones that don't have yes or no answers. This isn't the best idea during a story if you have a group, but works well one on one. With a group you can ask that kind of question at the beginning or the end of the story, as in Bark, George - you can ask What happened, Why is George saying hello instead of barking, Where's the vet?!

Read to kids the books you like. Read books the kids like. Read books with movements. Be a Fierce Dinosaur! Be a meek dinosaur.

Never substitute an easy word. Use the "rare words" - and define them as you go along. If it's an object, point to a picture of it. If it's an action, act it out. Give a synonym: That's another word for _____. Let parents know, "You may have noticed there were some rare words in that story ..."

The early literacy skill of the week could be put on a handout that they take home after the storytime (the one, maybe, that you have the song lyrics and fingerplays on so that the caregivers can sing along) and/or that sits out for the general public all week. Remember to invite the caregivers to take part at the beginning of storytime so that the shyer children will feel secure in participating (and so they won't sit gossiping in the back, which is sometimes a problem in my storytimes).

Here's a nice way to start: hold up a picture of a clock and say, "Thank you for coming on time!" And remind them to turn their cellphones off. Do this each time to be consistent.
I have a little song I sing:
I went to the storytime [can substitute "puppet show"] with my mom
But she left her cellphone on.
The cellphone rang and she took the call.
Now we're not allowed back in at all!
Then I have the kids pretend to turn off their "cellphones" and put them away in their pockets. They actually enjoy doing this and there's usually an adult who goes "OH!" and scrambles for the cellphone. There is hardly anything more annoying than someone whose phone rings, she answers it, and says, "Oh, we're at storytime at the library!" and keeps talking.

There was a nice sheet on Challenges and Problem Solving, but there was nothing in there about the distraction of a child throwing up and then a clean-up committee coming in to take care of that. I decided that I didn't have anything more interesting than that prepared so we watched them until they were done and then went on with the storytime.

If anyone has a chance to attend one of these workshops, I highly recommend it. I even recommend going again and again.

Tuesday, April 13, 2010

Top 100 Children's Books

The Top 100 Children's Books list from the School Library Journal poll. I tried linking, but my HTML was not accepted.

I've bolded (hee, is that a real verb now?) the ones I have read. I've only read half of them! There may be a couple more that I missed. I may have read Pippi Longstocking as a child, but have forgotten. I thought I'd read all the Roald Dahl children's books, but the plot to Matilda escapes me. Some of these I'm interested in reading and some I have absolutely no interest in (like the Laura Ingalls Wilder stories). In any event, what I great job I have that I can sit around and read fun books with impunity! Wheeee! Take that, Wall Street!

100. The Egypt Game - Snyder (1967)
99. The Indian in the Cupboard - Banks (1980)
98. Children of Green Knowe - Boston (1954)
97. The Miraculous Journey of Edward Tulane - DiCamillo (2006)
96. The Witches - Dahl (1983)
95. Pippi Longstocking - Lindgren (1950) may have read ... got the idea anyway.
94. Swallows and Amazons - Ransome (1930)
93. Caddie Woodlawn - Brink (1935) Planning on reading at some point.
92. Ella Enchanted - Levine (1997)
91. Sideways Stories from Wayside School - Sachar (1978)
90. Sarah, Plain and Tall - MacLachlan (1985)
89. Ramona and Her Father - Cleary (1977) I've read 2 or 3 Cleary books. They all slur together.
88. The High King - Alexander (1968) Read The Book of Three and Lost Interest.
87. The View from Saturday - Konigsburg (1996)
86. Harry Potter and the Chamber of Secrets - Rowling (1999)
85. On the Banks of Plum Creek - Wilder (1937) Bleagh, no thanks.
84. The Little White Horse - Goudge (1946)
83. The Thief - Turner (1997)
82. The Book of Three - Alexander (1964) Ho hum. Don't need to read any more of them.
81. Where the Mountain Meets the Moon - Lin (2009)
80. The Graveyard Book - Gaiman (2008) Literally broke down and cried when I heard this won the Newbery. Not sure why. I hadn't even read it. Just happy for Gaiman, I guess.
79. All-of-a-Kind-Family - Taylor (1951)
78. Johnny Tremain - Forbes (1943) I keep looking at this thinking I should read it.
77. The City of Ember - DuPrau (2003)
76. Out of the Dust - Hesse (1997) A novel in verse? I thought this was going to be ghastly, so I started 1/3 of the way in (the way I handle books I think I won't like - get the exposition out of the way. I can always go back and start over) and immediately realized I would have to ... go back and start over.
75. Love That Dog - Creech (2001) Hmm, may read.
74. The Borrowers - Norton (1953) Will put on To Read list.
73. My Side of the Mountain - George (1959)
72. My Father's Dragon - Gannett (1948) Grew up with these books.
71. The Bad Beginning - Snicket (1999) Read a few of these, that was enough.70. Betsy-Tacy - Lovelae (1940)
69. The Mysterious Benedict Society - Stewart ( 2007)
68. Walk Two Moons - Creech (1994)
67. Jeremy Thatcher, Dragon Hatcher - Coville (1991) Read some of his other books ... will think about it.
66. Henry Huggins - Cleary (1950)
65. Ballet Shoes - Stratfeild (1936)
64. A Long Way from Chicago - Peck (1998) Can't recommend highly enough. Wish I could grow up to be Grandma Dowdel.
63. Gone-Away Lake - Enright (1957)
62. The Secret of the Old Clock - Keene (1959) Of course!
61. Stargirl - Spinelli (2000)
60. The True Confessions of Charlotte Doyle - Avi (1990)
59. Inkheart - Funke (2003) Mmnnnrrrr, I don't know. Read The Thief Lord and wasn't that impressed.
58. The Wolves of Willoughby Chase - Aiken (1962) Love, love, LOVE Joan Aiken's stuff! Must read. The library didn't have it back 14 years ago when I was reading The Stolen Lake.
57. Ramona Quimby, Age 8 - Cleary (1981)
56. Number the Stars - Lowry (1989) Can't read Holocaust stories - they give me nightmares.
55. The Great Gilly Hopkins - Paterson (1978) Looks harmless enough.
54. The BFG - Dahl (1982)
53. Wind in the Willows - Grahame (1908)
52. The Invention of Hugo Cabret (2007)
Very imaginative and able to spark more imagination.
51. The Saturdays - Enright (1941)
50. Island of the Blue Dolphins - O'Dell (1960)
49. Frindle - Clements (1996)
48. The Penderwicks - Birdsall (2005)
Listened to the audiobook and nearly vomited through the whole thing.
47. Bud, Not Buddy - Curtis (1999) Nothing can hold a candle to TWGTB-1963. It was okay.
46. Where the Red Fern Grows - Rawls (1961)
45. The Golden Compass - Pullman (1995) Read the whole series. Phew!
44. Tales of a Fourth Grade Nothing - Blume (1972) Might have read this.
43. Ramona the Pest - Cleary (1968) Might have read this as well.
42. Little House on the Prairie - Wilder (1935) Forget. It.
41. The Witch of Blackbird Pond - Speare (1958)
40. The Wonderful Wizard of Oz - Baum (1900)
39. When You Reach Me - Stead (2009)
38. HP and the Order of the Phoenix - Rowling (2003)37. Roll of Thunder, Hear My Cry - Taylor (1976) Should read.
36. Are You there, God? It's Me, Margaret - Blume (1970)
35. HP and the Goblet of Fire - Rowling (2000)
34. The Watson's Go to Birmingham - Curtis (1995)
After reading this I thought it was a crime that it didn't get the Newbery ... until I realized it was up against Holes. That must've been a hard, hard decision.
33. James and the Giant Peach - Dahl (1961) The first book a librarian ever recommended to me that I liked. In fact, I loved this book.
32. Mrs. Frisby and the Rats of NIMH - O'Brian (1971)31. Half Magic - Eager (1954)
30. Winnie-the-Pooh - Milne (1926)
29. The Dark Is Rising - Cooper (1973)
I had to listen to the audio of this because reading it was too intense an experience!
28. A Little Princess - Burnett (1905)
Read this every month for years and cried my little heart out. Prefer The Secret Garden now. Don't need any help crying. 27. Alice I and II - Carroll (1865/72)26. Hatchet - Paulsen (1989) Read Paulsen's accounts of his real life experiences and it made me terrified of moose attacks. Think I'll pass.
25. Little Women - Alcott (1868/9)
24. HP and the Deathly Hallows - Rowling (2007)
Too long. Too much wandering around in the woods.
23. Little House in the Big Woods - Wilder (1932)
22. The Tale of Despereaux - DiCamillo (2003) Mnyeh.
21. The Lightening Thief - Riordan (2005) Update: Tried to read this. Gave up. And I was a big fan of Greek mythology. Oh well.
20. Tuck Everlasting - Babbitt (1975)
19. Charlie and the Chocolate Factory - Dahl (1964)18. Matilda - Dahl (1988) Thought I'd read all of these.
17. Maniac Magee - Spinelli (1990)
16. Harriet the Spy - Fitzhugh (1964)
Not sure what the point of this book is.
15. Because of Winn-Dixie - DiCamillo (2000)
14. HP and the Prisoner of Azkaban - Rowling (1999)
My favorite of these.
13. Bridge to Terabithia - Paterson (1977)
12. The Hobbit - Tolkien (1938)11. The Westing Game - Raskin (1978)
10. The Phantom Tollbooth - Juster (1961)9. Anne of Green Gables - Montgomery (1908) My sister's favorite book. Also an Anne with an "E."
8. The Secret Garden - Burnett (1911)7. The Giver -Lowry (1993)
6. Holes - Sachar (1998) Excellent story. Movie didn't ruin it either (helps for the author to write the screenplay).
5. From the Mixed-Up Files of Mrs. Basil E. Frankweiler - Koningsburg (1967)
4. The Lion, the Witch, and the Wardrobe - Lewis (1950)
Not much value as a story and a bit hit-you-over-the-head as allegory.
3. Harry Potter #1 - Rowling (1997)
2. A Wrinkle in Time - L'Engle (1962)
1. Charlotte's Web - White (1952)

Monday, April 05, 2010

Oy! It's Raining Mrs. Danvers!

First Among Sequels (Thursday Next, #5) First Among Sequels by Jasper Fforde


My rating: 3 of 5 stars
This was hard to follow. I think the Nursery Crimes stories are more linear. Well, you get into time travel and everything goes arse over bristols, dunnit? There are so many minor plots going on, just like one of them tv shows with all the interweaving plots that are supposed to be making us smarter. I guess I just haven't been watching them.
Thursday's troubles are legion in this book: a teenage son who resolutely behaves like a teenage son and not the chronoguard genius he grew up to be that she met in other stories; she's mentoring both of her fictional selves at Jurisfiction, book reading is declining fast and the fictional world only has crackpot ideas for reviving it; apparently history is going to fold up on itself and time as we know it will end because they've neglected to invent time travel and have been merely accomplishing it on the strength of it having been invented at some point; and, Where's Jenny? Also, everyone's trying to kill her as usual.
It's just so nice to see a 50+ female character with a family and a nice job laying carpet (ha!) so active!
Am still listening to the audiobook, which is okay, but doesn't have the characterization to it that, say, Nigel Planer brings to things.

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Thursday, November 19, 2009

No Talking? No Way!

No Talking No Talking by Andrew Clements


My rating: 2 of 5 stars
I guess everything makes me cry. Oh well. In this highly unrealistic book, Dave and Lynsey pit the fifth grade boys against the fifth grade girls to see who can go for a whole day without talking. The only vaguely realistic part was where one of the girls sabotaged a boy's silence by ... well, read it yourself. Just beware: cooties are involved. If this contest were in the real world, there would have been a whole lot more sabotage.
It would be nice to think that a principal would apologize to a kid, but I don't see that happening. I see an adult just getting angrier and blaming the child. Or maybe that's just me again.

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Monday, November 16, 2009

Oh, Look - a Coretta Scott King Award - Duhhhh!

Brendan Buckley's Universe and Everything in It Brendan Buckley's Universe and Everything in It by Sundee T. Frazier


My rating: 3 of 5 stars
Brendan has questions he needs answered and he'll do just about anything to get those answers. Brendan has a grandfather he knew nothing about until an accidental meeting over some rocks and minerals.
This is a good book if you like rocks or tae kwon do (both resonate with me). This is also a good book for beginning a discussion of race relations and biracial families. Had me boo-hooing though.

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Saturday, October 03, 2009

[Insert Bad Pun Here] In Underland

Gregor the Overlander (Underland Chronicles, #1) Gregor the Overlander by Suzanne Collins


My rating: 3 of 5 stars
Promising myself to read this, I pulled a copy off the shelving cart Thursday, and then forgot it. Pulled it off the shelf yesterday and started it. Whoa! Forget exposition! We're into the action by page 13! And giant cockroaches! No one told me there would be cockroaches. Nor did anyone tell me that farther into the book I'd be crying (while sitting at the Children's Room desk) because one of them died.*

Collins apparently wrote this as a sort of urban Alice in Wonderland, with blood and gore and death and fear and no social commentary. Well, hardly any. The most important feature of this book, I think, is the presence of complex characters, of which I think I counted two. This is something you have to wade through most of the Harry Potter series to find. Is Snape a totally bad person? Who is your enemy?

Anyway, the book has two strong characters, a rollicking good plot, but I quibble with the names. "Gregor"? Who calls their kid that? It would make more sense to have him called Greg/Gregory at home and have the Underlanders call him Gregor. And "Boots" is a name you give to quadrupeds with white paws or hooves, not the baby. Also, there's a big age gap between the siblings ... makes one wonder if any other babies got sucked down the dryer exhaust. [This from someone with nine years between her and her sister.]

*I don't consider this a spoiler because, first of all, there's a prophecy that a certain number of the characters will die and, secondly, you kill one roach and there are 60,000 more to replace it.

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Thursday, September 17, 2009

The Flavor Is Red, the Coating Is Powdered - Period

The Three Silly Girls Grubb The Three Silly Girls Grubb by Ann Hassett


My rating: 4 of 5 stars
Well, first of all, how could you resist that cover? [Interestingly, I know some Grubbs. I wonder if they've read this.] Reworking the story of the 3 billy goats and the troll, Hassett gives us a dirty little boy named Bobby who tries to bully each girl in turn into giving him her lunch. Understandably, each one refuses to give up her jelly donuts. As a connoisseur of le deaunutte gelee, I really appreciate the last page illustration of Robert, now utterly reformed and terrorized by the presence of the sisters, and the Gals Grubb with the white rings of powdered sugar around their mouths.
The characters are so ugly that they're cute. The solution to the story is brilliant and one that any child can relate to. Now if only I could find a way to use this in a storytime. [Hankers after a good NY state jelly donut where they understand red filling and powdered sugar.]

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Thursday, September 03, 2009

How Could We Have Handled This Better?

So Far from the Sea So Far from the Sea by Eve Bunting


My rating: 3 of 5 stars
Ignore the cover. I hate the cover. The illustrations inside are terrific, though. Soentpiet (pronounced soon-pete) is a genius. The story, by Eve Bunting, follows a Japanese-American family whose parents are revisiting the location of the internment camp where the father had once been ... well, interned. The grandfather is buried there as well. This will be the last time they are able to visit before moving east.
Soentpiet separates the main timeline from the WWII timeline by making the illustrations of the latter in black and white like photos (or, as Calvin's dad explained to him, in the old days, the world was monochromatic).
The father revisits his past and the psychological blow of being interned that he says started killing the grandfather before he even developed pneumonia. But, he tells us, it's "a thing that cannot be changed." What it was, was what it was. Gotta move on.

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Aw, Give the Kid a Break!

Train to Somewhere Train to Somewhere by Eve Bunting


My rating: 4 of 5 stars
This book is about a child riding the orphan trains in the late 1880s, abandonment, disappointment, and unrealistic expectations. Abandon all hope, y'all, before entering here. Marianne's mother abandoned her at an orphanage to go west, but promised to return. She never did. Marianne, and her younger friend, Nora, are being sent west now in an effort to unload the swamped orphanage of its extra weight. Marianne and Nora want to stay together, but most people who meet the trains want a. One Child and b. A Boy to Do Farm Work. Marianne's hopes to be met at one of the stops by her real mother and her continual rejections and disappointments drip from every page. The illustrations are okay - the trains are especially good, but the story is what is compelling.

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Important Story Not Told Well Enough

Cheyenne Again Cheyenne Again by Eve Bunting


My rating: 2 of 5 stars
Eve Bunting is a great author of children's books and I admire her work. That said, I was a little disappointed in this book which is told in the voice of a young Cheyenne boy who is forced to go to a boarding school to be "civilized." The text is laconic (as opposed to Lakota - hrr hrr) and pared down to bald statements of fact. The illustrations seem stiff (unless they contain horses) and I'm torn between thinking that was intentional (showing the rigidity of the school and the cookie-cutter effect on the children), intentionally naive, or not that good. So I had to calibrate by re-reading The Train to Somewhere and So Far from the Sea, both of these historical fiction about separation and/or minority abuse.
The former, about orphans from the east being sent out west for "adoption," immediately brought me to tears and I marveled at the illustrations in the latter, which was about the Japanese internment camps during WWII.
Well, maybe Cheyenne Again is a "boy book." A young boy will probably be able to identify with the constrictions of school life and won't be weighed down with pesky emotions dripping all over the page. As a girl, I like A Train to Somewhere.

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