It's all I can do to not mention That Song in reference to Emily Dickinson's poetry. I read an article in Vanity Fair decades ago and shortly afterward got into an argument with a roommate who said all of Dickinson's poetry could not be sung to That Song. Then I proceeded to sing all the examples she dug out to That Song. Consequently, I have happy memories of Ms. Dickinson and go around singing "Because I would not stop for Death he kindly stopped for meeeeee!" But the same might be said about Edna St. Vincent Millay ... or José MartÃ, and about as accurately. In other words, not terribly.
Still, I have trouble relating to the content of Dickinson. I did see a lovely one that resonated with me immediately:
986
A narrow Fellow in the Grass
Occasionally rides -
You may have met Him - did you not
His notice sudden is -
The Grass divides as with a Comb-
A spotted shaft is seen -
And then it closes at your feet [Yipes!]
And opens further on -
He likes a Boggy Acre
A floor too cool for Corn -
Yet when a Boy, and Barefoot -
I more than once at Noon
Have passed, I though a Whip lash
Unbraiding in the Sun
When stooping to secure it
It wrinkled, and was gone -
Several of Nature's People
I know, and they know me -
I feel for them a transport
Of cordiality -
But never met this Fellow
Attended, or alone
Without a tighter breathing
And Zero at the Bone.
I think that concludes rather nicely - with that flash of iciness at the ribs (in my case, anyway) that suddenly coming upon such a "narrow Fellow" brings. The meter is irregular and takes some fudging to sing to That Song, stretching that final "Aaaaaand" to it's chilling climax. Great fun!
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