Put It All Together, It Spells MADRE

Gator A-Go-Go: A Novel by Tim Dorsey


My rating: 3 of 5 stars
Florida's manic son and America's most fun-loving serial killer, Serge Storms, is at it again. This time he is making a documentary of the Spring Break tradition in his beloved state. On the way, he becomes lovingly entwined in an organized crime family vengeance. I thought it wasn't much of a mystery and had that dejá vu feeling one gets when stories get repetitive and old characters resurface. I was over a third of the way in before it seemed to take on anything different.
But that's why I read them: the mayhem, the inventive gruesomeness of it all that makes me really wonder about Tim Dorsey. Now, I think I saw another one on the rack ...

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Sell No Crime Before Its Time

The Critic: The Second of the Enzo Files by Peter May


My rating: 3 of 5 stars
This is my first mystery by Peter May - a mystery for die-hard oenophiles that takes place in France's Gaillac wine country. This was good stuff, if you don't mind the tastings with the vanilla from the oak barrel and the raspberries and other drivel they put on the wine label to lead the witness. You do learn more about making wine than you might be inclined to know.
Enzo Macleod is a mostly believable sleuth with the most incredibly bad luck in women. May blends the gruesome with the very amusing quite well. I had a flashback to my juvenile experiences with John D. MacDonald, but this was better - more grown up. Travis always had babes, and had a lot more success with them. Enzo is the hapless sort that can have feast and famine at the same time, and isn't the tantalizing frustration that much more entertaining?
This book also answers the time-worn question of "What is worn under the kilt?"
I am looking forward to reading the Virtually Dead book.

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The Name's Fandolin - Erast Fandolin

The Winter Queen by Boris Akunin


My rating: 3 of 5 stars
My opinion on this went up one point when I got to the discussion questions at the end. I had searched in vain through the review blurbs on the back for any mention of humor. Now I am willing to accept that the author meant for some of this to be funny, not just naive.
The lead character, Erast Fandolin, is young, credulous, and, while intelligent, he jumps to conclusions and acts impulsively without thinking things all the way through. Lucky for him that he has trained himself to hold his breath and his vanity causes him to wear a corset or he would be dead several times over. He's a bumbling but very lucky 19th century James Bond (which his experience at a game of "stoss" [remarkably like baccarat:] only reinforces).
The incident of two young men playing "American Roulette" leads to a conspiracy of global proportions, taking Fandolin out of Mother Russia where he discovers that civilization has spread beyond those borders. It's also lucky that his family used to be wealthy and he had learned fluent German, French, and English. The book is chock-full of period atmosphere of the highly stratified Russian imperial society, making it quite refreshing from the usually western european mystery adventures.
The more I think of it, the more amusing it was. And now that I'm prepared to think of these stories as humorous as well as suspenseful, I think I could read another one of the series.

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Things That Keep Me Energized

There is a certain amount of talk here about "burn-out." Clinical depression and grieving aside, I find I need inspiration of some sort to get me excited about a job I've had for 15 years - and that's where classes come in. It doesn't matter what kind they are; they could be the repetitive ones on customer service or communication. They could be on storytimes, early literacy, puppetry. Even if I've been through it before, attending some class or seminar always gets me inspired and willing to try new things or dust off some of my old skills.
I used to look at each year as an opportunity to add something new to my repertoire: puppets, music, creative dramatics, more puppets, etc., but as time wears on it becomes harder to do and there are fewer classes to take. (Of course, it doesn't help when I show up all excited at a class and the instructor says, "What are you doing here? You know all this!") One can blame the economic situation, I suppose. Our state used to have great stuff for children's librarians. There used to be an annual weekend retreat where we could go and have people from our own state as well as "foreign" experts revitalize our programming. Of course, that was way back when ... way back when we had a state Children's Librarian. Regional librarians used to get together and share ideas for the summer. I have no idea if they still do.
There used to be good sessions at the state library conferences. I think I found one two years ago (Donna Washington and storytelling) but this past year I didn't see anything. Recently we've been sneaking over to the state next door for their offerings (I think every contiguous state to ours has more money than we do, even these days) but the Children's Literature Conference seems more school oriented and it's harder to get money as well as time off for overnight trips.
Classes like these are critical in motivating both the new and the veteran librarian, but there are other ways to inspire and one of them is sharing what you know. To this end I started a Ning on library programs for kids. Having a new idea, reworking something tried-and-true, or just seeing someone else working their genius and sharing that with others also gives a librarian a warm feeling. Feeling the enthusiasm coming back from or having your work acknowledged by your peers fans the fire, but it's hard to come up with the fuel all on your own.
In summation:
We can't work in a vacuum.
Economy be darned-to-heck, we need frequent release from regular duties to be re-enthused.
If the sessions/classes/seminars aren't available in this state or nearby, we need to make them ourselves.
What the heck's the internet for if not to network with Our Kind on social sites or in real time? And, do I have to organize this all by myself? 'Cause I'm tellin' you, I'm just plum wor' out.